Monthly archive

June 2014 - Page 2

Billie and the Kids – Jukebox Daddy

billie-and-the-kids-jukebox-daddyRhythm Bomb Records – RBR 5757 [2014]
Scorched – Your First Kiss – Bumble Bee – Jukebox Daddy – Blueprint Of My Heart – Maybe – It’s Wrong – How Can You Leave A Man Like This – I’ve Got A Feelin’ – Lonely Days – Come On and Fool Around With Me – You’re Gonna Be Sorry – Need You Tonight – Your Love – Tough – I’m Wise – I Thought I Told You Not To Tell ’em

I realised that this one was on my list of record to review for quite a long time and I quickly put it in the player. After a few bars of the first song I thought I had made a mistake, the sound I hear didn’t match the picture I saw on the booklet. How could a strong and “black” voice like that come from such a young and frail lady? I double checked, pinched me (one never knows) but I soon had to admit the reality: Billie & the Kids don’t come from New Orleans but from Zagreb, Croatia and Jukebox Daddy has not been recorded for Savoy or Modern in the fifties but for Rhythm Bomb in 2013.
These boys (piano, guitar, double bass, drums and three saxes as well as a couple of guests) and girl nailed the sound of their favourite records (Etta James, Ruth Brown, Varetta Dillard) perfectly and make it sound natural. It’s due to their musicianship and ease, but mostly to their ten originals penned by Jurica Stelma, the band’s bassist that include ballads, boppers, jumpers and some latin too.
Don’t miss it.

Fred “Virgil” Turgis

John Munnerlyn and Lee Jeffriess

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munnerlynjeffriess_small

John Munnerlyn and Lee Jeffriess – Guitars in perspective

[2010]
Sins & Woes – It Ain’t Hay – Johnny Has The Keys – Make Way for Wyatt – Blues for Earl – Java Jump – Mercy Street – Hello Stranger – Can’t Go Back – Chester’s Mule – Swingin’ in the Kitchen – I Lost You

Fans of Big Sandy already know Lee Jeffriess, he’s, with Jeremy Wakefield, one of today’s most talented lap and pedal steel player, and you might remember Munnerlyn as the guitar player with the Haywoods. It’s an all instrumental album (all original material mostly from the pen of Munnerlyn). Of course the comparison with West and Bryant, or closer to us, Biller and Wakefield, comes to mind but they’re less jazzy and more country, hence the presence of a fiddle on a majority of tracks. Their sound owes more to the Texas Troubadours solo albums or the stuff Buddy Emmons cut with Howard Rhoton and Spider Wilson for Little Jimmy Dickens. You’ll also find a bit of gipsy jazz in Mercy Street and some nice Merle Travis/Chet Atkins picking on Chester’s Mule.
An excellent album that won’t be out of place near your Fly Rite Boys and Biller and Wakefield albums.
Icing on the cake, it comes in a nice digipack with a tip of the hat to Tal Farlow on the cover.

Fred “Virgil” Turgis

Cavemen (the) – Dutch neo-rockabilly / psychobilly band

cavemen_stone age
Cavemen – Stone Age Beat

The Cavemen – Stone Age Beat

Count Orlock Records
Living Dead – Haunted House – Silver Surfer – Stone Age Beat (Wilma) – Wilderella – Is It Over – The Car – Devils Road – Vampire – Indian Style – Jericho – One More Chance – Do Do Ta Ta – Don’t Need A Job

Drowned in the mass of psychobilly releases in the late 80’s, this too often overlooked album deserves to be rediscovered today.
The Cavemen formed in 1982 with Marcel Hoitsema on guitar and vocals, Roland Verbruggen on double bass, and Jos “Toolie” de Groot on drums. Verbruggen previously played guitar with Mac Taple in the early 80s
After a while, Jos left the band, and Berto Rerimassi joined in on drums. This line-up recorded two songs for the compilation album Cool Cat Go Ape (Big Shot Records – big shot rec 001), released in 1986. These two songs were A Couple of Days and an early version of Vampire.
After these recordings, Marcel asked his friend Jean-François Besson to join the band. But after a couple of rehearsals, the new direction taken by the band didn’t please Roland and Berto that much. Marcel then left the band to form Bang Bang Bazooka with Jean-François.
Berto switched to lead guitar, and Ronald Smet joined as the new drummer. In August 1989, this new line-up went to Tango studio in Eindhoven to record the band’s sole album, Stone Age Beat. It’s an excellent album of soft Psychobilly with well-crafted and varied songs. Particularly good are Stone Age Beat (written by Hoitsema and featuring a quote of the Flintstones theme), Silver Surfer, and One More Chance, a humoristic slow number with outrageously fake cries. It also contains a new version of Vampire, which was also re-recorded by Bang Bang Bazooka on their debut album.

Fred “Virgil” Turgis

cavemen

An interview with Cavan Grogan

Cavan Grogan
Cavan Grogan still crazy after all these years with the great Rhythm Rockers

An interview with Cavan Grogan (Crazy Cavan & the Rhythm Rockers)

Crazy Cavan & the Rhythm Rockers are the longest rockabilly band in activity with a line-up almost unchanged. They made the link between the pioneers of the 50’s and the rockabilly revival of the 80’s, and when bands were happy to play covers, they came with a set of solid originals and never stop writing classic after classic. What Rockabilly fan have never heard of Sadie, Teddy Boy Boogie, Are You Still Crazy, My Little Sister, Rockabilly Rules OK, The Rockin’ Alcoholic, Hey Teenager?
Crazy Cavan & the Rhythm Rockers always give themsleves at 100% on stage and I’m ready to bet my collection that they never refuse a picture with a fan.
For all this things, and for the rest you have in store, Cavan, Lyndon, Terry, Mike and Graham (without forgetting Vance and Don), thanks a lot!

Fred “Virgil” Turgis
Proud fan club member #76
(this interview with Cavan Grogan was conducted when the band was celebrated its 40 years of activity)

Crazy Cavan & the Rhythm Rockers will soon celebrate its 40th birthday. What are your feelings?
Could you imagine it would last that long when you started?
Cavan Grogan 40 Year’s no way man, I don’t think we even thought about how long the band might last.We were just having fun, and trying to keep rock’n’roll alive.
But we knew we’d always be rock’n’roll fans.

Did you see an evolution of the rockin’ scene during these years?
Cavan Grogan Oh yes we saw the rockabilly thing coming and a lot of fans of the music started to look back at the roots, Swing even came into the rock’n’roll scene for a while, Like Louis Jordan, Louis Prima ect. Also hillbilly and blues. A lot of young bands started up across Europe which led to today’s scene.

The line up of Crazy Cavan & the Rhythm Rockers has remained extremely steady across the years, which is very rare…
Cavan Grogan Yeah we just can’t hold bass player’s they keep going then coming back for more.

Crazy Cavan and the Rhythm Rockers
Crazy Cavan and the Rhythm Rockers in the 70’s

From the beginning you wrote your own songs and proved that rock’n’roll was a living thing. Was it hard to impose new songs to the audience ?
Cavan Grogan Well we like doing some of the old song’s, But we like to do them our way. But we al way’s felt new original material is what would keep the ball rolling and attract new , maybe younger fan’s into the scene. We had no trouble getting our song’s over because when we started nobody had heard of most of the 50’s rockabilly we were playing anyway.

How do you choose the covers that you play?
Cavan Grogan First off, I have to like the song, Then we have to mould it into the bands style. We never pick song’s because they’re popular, and we try to avoid songs the other bands are playing. Although if they become popular by us, most bands start doing them any how like, Old Black Joe, Creek Goes Dry etc.

What was the music you grew up listening to, before you were old enough to choose music by yourself? What was the music in your house and did your family had an importance in the music you listened to and later played?
Cavan Grogan I think I always choose the music I liked even as a kid I twiddled with the radio and listened to music on the fair grounds. My father yo used to sing some great old Irish songs with wonderful lyrics.

What was the first rock’n’roll/rockabilly record you’ve heard?
Cavan Grogan When I was a kid I lived in a town called Claremorrris in County Mayo in the west of Ireland. The music there was mostly country or traditional Irish. But you had the fair grounds the radio, and the cinema. I remember hearing Bill Haley quite often, But what really knocked me out , Was when I saw the film Lovin You with Elvis in the amazing scenes like lonesome cowboy with the spotlight. Got a lot of livin to do, with his scruffy denims, and i couldn’t stop singing let’s have a party. !! I wasn’t to see this movie again for about 20 years. But i never forgot those scenes. And have never seen anything to beat them to this day. I’m sure that was the day I decided to be a singer. (On their latest album, Cavan wrote a song called Groovy At The Movie about this memories)

What did appeal to you in Rockabilly?
Cavan Grogan Rockabilly to me is a rock’n’roll stripped down to it’s bare essentials. The appeal is like skiffle. You feel if you can hold a good steady beat play a few chords, It’s open for anyone to have a go. Although in the reality it’s far more complicated then that. I loved that ol slap bass, and the echo’s vocal’s ‘n’ hiccups yeah man!!

One can safely say you didn’t feel very concerned by the music of your generation?
Cavan Grogan Yes I had no interest in the music of my generation, Rock’n’roll to me was the big explosion. My interest was to look back on what caused this, not to follow a bit of sharpnal that flew off into space from it.

Crazy Cavan and the Rhythm Rockers: Don Kinsella (bass), Terry Walley (guitar), Lyndon Needs (guitar), Mike Coffey (drums) and Cavan Grogan (vocals).
Crazy Cavan and the Rhythm Rockers: Don Kinsella (bass), Terry Walley (guitar), Lyndon Needs (guitar), Mike Coffey (drums) and Cavan Grogan (vocals).

There’s always been a huge dose of country music in your songs. Was it easy to find this stuff in the UK?
Cavan Grogan Yeah it was fairly easy i think Hank William’s was the first one i took to.

Did you see onstage or hear on record a band that impressed you recently?
Cavan Grogan Yes I often see bands that impress me. I like bands who don’t copy who try to do things their own way. And put all there energy into putting it over

What is the album you’re never tired of listening to?
Cavan Grogan Gotta be Carl Perkins Dance album or maybe Elvis Rock’n’Roll No2. And now thinking about it there are quite a few actually.

Just by curiosity, what is the last record you bought?
Cavan Grogan I recently found a copy of Nellie Lutcher singing Fine Brown Frame on a 78, Doe’s that count ?

It sure does, one last word?
Cavan Grogan LET”S FUCKIN ROCK !!!

The Niteshift Trio

niteshift-trioThe Niteshift Trio

Gary Venn started to learn double bass in the early 1980s. His teacher was Boz Boorer from the legendary Polecats (and now Morrissey’s main man). He soon teamed up with a school friend called Steve Lovett on guitar and they started to practice in his mum and dads garage. It all seemed to fall into place and they quickly found their own sound. Their drummer at that time was a guy called Carl.
Things went well and the trio played lots of gigs at various rockin’ clubs around the country.They gained a good reputation and one evening after a gig they met Dell Richardson from Fury records who asked them to do some recordings for him on a couple of compilation albums (Gipsy Girl, I Love My Car, She’s Just Rockin’, Taken By Force). Then Carl left to emigrate to California. By chance they knew Keith Bailey a fan of the band who also played drums. He was proposed the place. This line-up recorded their unique album “You Ain’t Seen Nothing Yet” still for Fury. It is a typical 80’s neo-rockabilly album with light guitar and snare and slap bass to the fore. Using the lp as a card the Niteshift Trio gained more gigs abroad, including Germany which they toured twice with the Guana Bats, Demented Are Go the Deltas and various other top name and is remembered as a fantastic experience. Unfortunately Steve decided to quit the band to become a solo country and western singer, which he still does now. Gary went on to form a new band called Loveless, a wild rock n roll band doing various rock n roll with a trashy sound, for which he switched from double bass to guitar and vocals enjoying playing and writing songs. Loveless toured Germany and went down a storm and it remains like a great experience for Gary.
You Ain’t Seen Nothing Yet” has since been reissued on cd by Raucous including the compilation tracks as a bonus.

Jimmy Swan – Honky Tonkin’ In Mississippi

jimmyswanBear Family BCD 15578 AH
I Had a Dream – Juke Joint Mama – I Love You Too Much – Triflin’ on Me – The Last Letter – The Little Church – Mark of Shame – Losers Weepers – One More Time – Lonesome Daddy Blues – Frost on My Roof – Why Did You Change Your Mind – Hey Baby Baby – It’s Your Turn to Cry – Good and Lonesome – Country Cattin’ – The Way That You’re Living – Lonesome Man – I Love You Too Much – Don’t Conceal Your Wedding Ring – No One Loves a Broken Heart – It Takes a Lonesome Man – Honky Tonkin’ (In Mississippi) – I Love You Too Much – It Takes a Lonesome Man – Rattlesnake Daddy – Asleep in the Deep – Walkin’ My Dog – Good and Lonesome – Why Did You Change Your Mind
In his carreer Jimmy Swan recorded for various labels including Trumpet, MGM, and Decca. This compilation covers a period going from 1952 to 1968 and it’s amazing to see how his music saw little evolution during these 16 years. While country music radically changed, he sticked to his brand of raw and rural honky tonk heavily influenced by Hank Williams (sadly his political views also belonged to a bygone era). Many songs in this set of mostly self penned numbers remind of the lovesick blues boy. Lonesome Daddy Blues Triflin’ On Me, One More Time and Honky Tonkin’ are respectively variations around Long Gone Lonesome Blues, Lovesick Blues, I’m So Lonesome I could Cry and Honky Tonk Blues. He also played a couple of hillbilly boogie/proto rockabilly like Country Cattin’ and Rattlesnake Daddy that are worth the price of the cd alone. If you dig Hank Williams and country music before it changed for the worse, you’ll like this one.

Fred “Virgil” Turgis