The Barnshakers – Whiskey River / Hollow Grave
Goofin’ Records – GRSI 224 [2012]
Another excellent single released by the Barnshakers. The A-side is a cover of Johnny Bush’s Whiskey River, also a hit for Willie Nelson. They deliver a superb muscled-up version with powerful slap bass and intense vocal by Vesa.
The flip is an excellent Rockabilly with harmony vocals, typical of the style of the band.
The Barnshakers – Twenty One
Goofin Records GRCD6130
Twenty-One – Come On – Bop Bop Ba Doo Bop – Have A Ball – Knock Knock Rattle – Everybody’s Trying To Be My Baby – Yah! I’m Movin’ – Wiggle Like A Worm.
Very good mini cd from the Barnshakers, one of the best, if not the best european band in activity made of one studio track and seven live recording. The studio track “Twenty One”, a Vesa Haaja’s own, is an immediate addictive song with its great vocal and lead guitar part and the piano support. This song proves how right they were to add a piano in their line-up. The live show, with the exception of “Wiggle Like A Worm” is made of covers and songs that were never recorded in the studio by the band. This gives another interest to this record to hear them playing classic songs by Wynn Stewart (Come On), Lew Williams (Bop Bop Ba Doo Bop) and Carl Perkins (Everybody’s Trying To Be My Baby). The set ends with a frantic Vesa singing and screaming on “Yah! I’m Movin’” and “Wiggle Like A Worm” with Lester playing Burlisonnian licks. By far the best cut of this record. An advice, if you want it, you should hurry as the cover states it’s a limited release…
The Barnshakers – The Single album
Goofin Records GRCD6126 {2004}
She Done Quit Me – So Doggone Blue – Big Sandy – Ooh’ Baby -Complicated Fool – Who’s Gonna Be The Next One Honey – When I Take My Sugar To Tea – Take One – Wiggle Like A Worm – Choo Choo’s Coming Back – Desperate Santa – Santa’s Got A Brand New Steel Pedal – Hocus Pocus – Gone A-Rockin’ – You’re The Cause Of It All – Tell My Baby I Love Her – Move On – What’cha Gonna Do – Boppin’ In Roswell – Raining In My Heart – What’cha Doin’ To Me – Lotta Lotta Women
It’s a good idea to issue all the Barnshakers singles on one cd as some are not that easy to find. You can also see the evolution of the band through the years from the rockabilly of the beginning to the addition of a piano player and the touch of boogie of today. The first single shows what a good songwriter Jussi Huhtakangas (aka Lester Peabody) is, too bad he doesn’t write more songs. Vesa, the lead singer and main writer wrote my two favourite songs on the cd issued from the Xmas single «Desperate Santa» and the great «Santa’s got a brand new pedal steel». You got some covers too and a song penned by Shaun Young. So what could you ask for more ? Unissued material ? You’ve got it, two new songs recorded in 2004. So I guess you understood this record is a must have for all Barnshakers and rockabilly fans everywhere.
The Barnashakers – Complicated Fool
Goofin’ Records – GOOFY 546 [1994]
Complicated Fool – Whose Gonna Be The Next One Honey / When I Take My Sugar To Tea – Take One
This superb EP opens with Complicated Fool, a superb Rockabilly tinged with Hillbilly, which is a composition by Vesa Haaja, the singer of the group. Peabody’s guitar and Haaja’s vocals, capable of alternating Rockabilly tension, Hillbilly style and the softest crooning, are the two elements that jump to the ears first. Still, one should not forget the rhythm section. Mika Liikari (double bass) and Mike Salminen (drums) are Europe’s answer to the rhythm section that Bobby Trimble and Wally Hersom of the Fly-Rite Trio formed.
Next comes a cover of Whose Gonna Be The Next One Honey (Hal Goodson & the Raiders in 1957). The Barnshakers’ version is very close to the original, although softer, thanks to Haaja’s fabulous singing.
The first track on side B is a cover of When I Take My Sugar To Tea, a song from the early 1930s, made popular by artists as talented as the Boswell Sisters, Bing Crosby and Nat King Cole, to name a few. The Barnshakers approach their version by adding a Gene Vincent touch, reminiscent of him when he covered standards such as Up A Lazy River or Peg O My Heart. The rhythm is subtle, Vesa croons and the guitar part is sparkling.
Speaking of guitar, the last piece is a cover of Take One, Phil Baugh’s very jazzy instrumental. It is a tour de force and a demonstration of Lester Peabody’s know-how.
Fred “Virgil” Turgis
