Vince Taylor

Vince Taylor – Brand New Cadillac – The Brits Are Rocking Vol.8

Bear Family BCD17646
Brand New Cadillac – Long Tall Sally – Rocky Road Blues – What’cha Gonna Do (Southern Love) – I Like Love – Sweet Little Sixteen – Endless Sleep – Baby Let’s Play House – Jet Black Machine – Shaking All Over – Ready Teddy – Move Over Tiger – So Glad You’re Mine – Lovin’ Up A Storm – My Babe – Right Behind You Baby – Twenty Flight Rock – Blue Jean Bop – I’ll Be Your Hero – C’mon Everybody – Don’t Leave Me Now – Mean Woman Blues – B. B. Baby (Big Blond Baby) – There’s A Whole Lot of Twistin’ Goin’ On – Love Me – Rip It Up – Have I Told You Lately That I Love You – Mimi – Peppermint Twist – Part I – Peppermint Twist – Part II – Pledging My Love – Don’t Ever Let Me Go

Vince Taylor

Vince Taylor had an undeniable charisma and the magazines knew how to exploit his half-angel, half-demon image. This same charisma, combined with a good dose of energy gave dazzling stage performances. Unfortunately, all this does not necessarily show through on his recordings.
His recording career begins with a very good Rockabilly-inspired single, the excellent Right Behind You Baby coupled with I Like Love on the B side. This one benefits from the presence of Tony Sheridan on guitar and Brian Benett (Shadows) on drums. Benett is renewed for the next session in February 59, and was joined by the excellent Joe Moretti on guitar. The result gives the dazzling Brand New Cadillac (the only composition by Vince Taylor on this compilation). This single piece would be enough to leave him a place in the pantheon of Rock’nroll. Success did not come, Taylor changed label and after Parlophone joined Palette for which he recorded another excellent single I’ll Be Your Hero with the wild Jet Black Machine on the B side. But already, we can see an evolution in the sound. After another solid single for Palette, Taylor found refuge in France and signed for Barclay. If the accompaniment always remains of quality, the inspiration seems to disintegrate and very often the listener has the impression of hearing an imitator of Gene Vincent or Eddie Cochran without the flame of genius that makes the difference. Taylor sings well, sometimes overdoes it, but too often settles for the bare minimum. The last period covered by this CD, corresponding to the year 1962, sees Taylor evolving towards Twist and a rather uninteresting pop-Rock.

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