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Rock'n'roll

Lily Locksmith

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Lily Locksmith – s/t

Enviken Records EnRec181 [2022]
When I Put The Blues On You – Praying – Bad – Last Night – Player – Farther Up The Road – Burn Toast And Black Coffee – You Gotta Try – I Don’t Need – No Use But O’Well – When It’s Good Enough For You – I Tried – Can’t Believe You Wanna Leave – Catfight – You Did Me Wrong – What Do You Know About Love

lily locksmith

Caroline Låås, aka Lily Locksmith, had an incredible voice. Her sudden death, at the too-early age of 37, left a massive void on the Rock’n’Roll scene. When she passed away, Lilly was working on an album. Friends of the singer, knowing that her dream was to release a full-length vinyl album, decided to finish it. Thanks to the label, her friends, musicians, and fans who contributed to the project via a Kickstarter campaign, the project was completed and saw the light of day.
Among the sixteen tracks, nine are covers, the remaining seven being from the pen of Locksmith or guitarist Chris Bergström. The covers range from Candye Kane to Bo Diddley, with tunes by Nick Curran, Shorty Long, Little Richard, Chris Ruest, Big Mama Thornton, Larry Davis and Bobby Blue Bland in between.
The whole album is a rollercoaster through the blues idiom. You go from straightforward blues to Rock’n’roll, with groovy stuff and plenty of Rhythm’n’Blues thrown in for good measure. And, of course, like all good albums, there’s a tear-jerker ballad (Last Night). The band is top-notch, providing an excellent job and a solid structure to put the spotlight on Locksmith’s vocals and her impressive range of emotions.
We lost a great singer, but this album is not a monument commemorating the death of someone. Instead, it’s a celebration of life. Each groove of the vinyl and each bit of the CD ooze energy and vitality. This is the best hommage that could’ve been done to this fantastic singer, and I suppose that’s how her friends wanted her to be remembered.

Lily Locksmith – I Don’t Need

Enviken ENREC4512 [2020]
I Don’t Need / Can’t Believe You Wanna Leave

Lily Locksmith has a strong and powerful voice. But, unlike many, she knows how to control it, and this single is the perfect vehicle to show her skills.
The A-side, penned by Locksmith’s guitar player Chris Bergström, is a Bo Diddley tinged song with tremolo guitar and a hint of Garage.
The B-side is a cover of Little Richard. This slow tune allows the singer to play with her voice and its variations, containing the power before letting it explode.
I’m looking forward to the whole album.

Fred “Virgil” Turgis

Sabrejets (the)

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sabrejets

Sabrejets (the) – The Restless Kind

Raucous Records – RAUCD288 [2021]
You’re Gonna Miss Me When I’m Gone – Hell Yeah! – Tennessee Flat Top Bop – If I Gotta Explain – Faster Than The Eye Can See – Lightnin’ – Blue Moon Baby – Don’t Turn Your Back On Love – I Got The Shakes – Train To Hell – Zorita – Someone’s On The Loose – You Don’t Love Me – Storm In A D-Cup – The Restless Kind

sabrejets

The Sabrejets from Belfast have been on the Rock’n’Roll scene for some time now. But time doesn’t seem to have a hold on them, and the band is still just as creative, energetic and biting, to say the least.
Their new album, appropriately named the Restless Kind, is clear proof of this. This record demonstrates that with almost 70-year-old recipes drawn from Johnny Burnette and Chuck Berry (to name just two), one can produce a powerful and inventive Rock’n’Roll album. Because it is Rock’n’Roll that we are talking about, the real deal, the unadulterated and original one. The dangerous version, always on the edge, not this bastardized version that the media tries to sell us. I let you put here the names you want, there are too many, and I don’t have the time or the desire to dive into it. I prefer to talk about the Sabrejets, which give back their letters of nobility to this music. They approach it in a pure and straightforward way, and if I were not afraid that it would be taken pejoratively, I would say naive. We have four guys who know their stuff and play this music, not because they hope to sell records or gather huge crowds, but because it runs in their blood. It’s obvious from the first track that grabs you right away. Throughout the fifteen songs, one can hear references, a bit of Burnette in one intro, the same kind of tension as in Johnny Horton’s I’m Comin’ Home in another, or the Meteors’ aggressiveness a little further, but the result is always 100% Sabrejets. It’s always exciting, and it never feels like a band on autopilot each time our interest is revived, either by a Surf/Hot Rod instrumental (Lightnin’) or by a surprising melodic song with pop accents (Don’t Turn Your Back On Love). Most songs are written by Brian Young, the singer-guitarist or Liam Killen, the guitarist. Three well-chosen covers complete the set: Dave Diddle Day’s Blue Moon Baby (sung by Bill Johnston, the bassist), Willie Cobb’s You Don’t Love Me and ex-Whirlwind Nigel Dixon’s Someone’s on the Loose.

Get this album as soon as possible, and a good tip, crank up the sound!

Available here

The Sabrejets on facebook

Fred “Virgil” Turgis

The Starjays

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starjays

The Starjays - Bang! It's the Starjays
The Starjays – Bang! It’s the Starjay

The Starjays – Bang! It’s the Starjays

Rhythm Bomb – RBR5828 {2016}
Who Do You Love The Most? – The Right Girl – Flat Broke – I’ll Wait – Nobody Loves You Like Me – My Wild Girl – Cadillac Of Woman – Keep On Talkin’- One Quick Stop – What’s Gone Wrong? – Turn Down The Lights – Tintarella Di Luna – A Sin Comin’ On – Get Closer

Led by Roy Kay (the Roy Kay trio\Combo, the Margraves) and Angela Tini (Angelatini and the Trebblemakers) and featuring the talents of piano wizard Carl Sonny Leyland, Marshall Scott Warner on drums, Tony Laborie on double bass, Sean Jensen on sax and Mike Geglia on guitar (also from the Roy Kay trio connection), the Starjays are a hot combo that plays rhythm’n’blues and rock’n’roll (and I mean real Rock’n’roll) with, for a song or two, a slight 60’s feel. They reminded me of the Jive Bombers, the excellent and now defunct Austin based band that featured Shaun Young.
Roy Kay and Angela Tini share the vocal duties (solo or in duets) which brings a lot of diversity to this album. As she is probably lesser known than her partner Roy Kay who have quite a few albums under his name, I have to sing here the praise of Miss Tini’s voice who manages to be powerful, subtle and dare I say a bit naughty (Get Closer), all that with a Ruth Brown vibe. Other names come to mind, but it would reduce Tini’s own personnality that is present here from start to finish (understand “she has her own voice and she is no impersonnator”).
All songs but two are originals penned by Kay and Tini. It’s very well produced, recorded, sung (I’ve already said that, but better twice than never) and played, each solist having plenty of room to express himself.
And icing on the cake, it comes in a nicely designed digipack .

The Starjays – Jump With…

starjaysVLV Records [2021]
That’s Love – Tomorrow Will Come – Prove My Love – I Can’t Stop – I’m Stuck – You’re For Me – Late At Night – Say What You Mean – Somehow, Someway – Is It Murder – Makin’ Me Hungry – Calling Out To You

I won’t try to fool you and create fake suspense, The Starjays return with a second album, and it’s as good if not better than the first one. Roy Kay (Roy Kay Trio/Combo, the Margraves, The Ember Brothers) and Angela Tini still lead the band and share the vocal duties, either solo or duet. Kay also plays tenor and baritone saxophone. Having two vocalists brings a lot of diversity, and their voices are very complimentary. Most of all, Kay and Tiny have strong flexibility in their voices. Hence, their repertoire can go from hot Rhythm’n’Blues/early Rock’n’Roll to soulful ballads or pure dancing ditties. They’re helped by a selection of very catchy songs and cleverly mix tempos and moods, from the lighthearted to the very dark.
The rest of the band features Robin Cady (also from the Roy Kay Trio) on bass, Eddie Martinez on drums, John Olufs on guitar, and Robert Lee Mitchell on piano. Each does a terrific job, and together, they constitute a very well-oiled jumpin’ machine.
Jump on this record, then jump with the Starjays!

Fred “Virgil” Turgis

Nina and the Hot Spots

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Nina and the Hot Spots – Monkey Business

Nina and the hot spots

Part Records PART-CD 6116.002
Hot Spot Boogie – This Cat’s Sleeping (In A Big Bass Drum) – Can’t Believe You’re Gone – Monkey Business – Magic Fire – Cruisin’ Baby – Pretty Face – Little Bit – Mars Marriage – Everytime – Barber Bop – The Day – Love ‘n’ Seduce

Nina and the Hot Spots are Nina Salhab (lead Vocals, blues harp), Christian Dietkron (guitar), Sebastian König (drums), Thias Salhab (double bass) and Uwe Pickardt (saxophone).
After an excellent mini-album released in 2015, the band returns for our biggest pleasure with a full-length album. What strikes the listener when he puts the record in the player and plays the first song is the quality of the recording and how tight the band is. The rhythm section blends perfectly to lay down a solid groove, and then the saxophone erupts into a hot solo. But wait! I forgot to mention something! Sorry guys, but the one who steals the show is Nina with her superb and confident voice.
This Cat’s Sleeping (In A Big Bass Drums) is a solid rocker with a strong Stargazers feel. The next song is also in the Rock’n’Roll mould. Although it borders on Twist, it never falls into it. The title track is more Rockabilly-tinged yet jazzy at the same time. It features a superb harmony part between the sax and the guitar to launch the solo. Glen Campbell’s Magic Fire could and should be the theme of the next Jame Bond film. All songs but this one are originals, either penned by Nina, Uwe or Thias, who takes the lion’s share. Pretty Face brings a welcome touch of Latin beat while Little Bit Of This is a boogie blues, which sees, what an excellent surprise, the lady playing the harmonica (more like this one on the next album, please.)
Mars Marriage brings a different beat than your usual Rock’n’Roll and somehow evokes me the best of the Speedos. The highly melodic Everytime brings a touch of pop with a slightly modern feel. The Day is a ballad in the grand tradition of the Fifties, while the last tune ends the selection with a solid Diddley beat.
All in all, you have a good and varied album, which is sure to make you have a real good time.

Available here
Nina and the Hot Spots website.

ninahotspots
Nina and the Hot Spots

Nina and the Hot Spots – Cha-Ching!

Part records [2015]
Get Up – Rock Me Crazy –  Schwing Dich –  Farmer Girl – I’m In Love

A good and varied five songs ep by this German combo. Get Up and Rock Me Crazy are two Rock’n’Roll and Jive tunes with solid saxophone with a touch of Jazz that are sure to please fans of the Stargazers. Schwing Dich is sung in German and leans more toward German Rock’n’Roll singers like Conny Froboess or Peter Krauss.
Farmer Girl is a duet with a strong hillbilly flair, with nice finger picking guitar and harmonica. The last song is a slow blues-jazz number that sounds as if it had been recorded in the wee hours of the morning in a small and smoky jazz club.

Fred “Virgil” Turgis

Tommy Steele

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Tommy Steele – Doomsday Rock – The Brits are Rockin’ vol. 1

Tommy Steele

Bear Family BCD17581
Rock Around The Town – Giddy-Up A Ding Dong – Teenage Party (LP version) – The Trial – Tallahassee Lassie – Give! Give! Give! – Build Up – Knee Deep In The Blues – Rock With The Caveman – Take Me Back, Baby – Time To Kill – Hair-Down Hoe-Down – Swaller Tail Coat – Drunken Guitar – Kaw-Liga – Elevator Rock – Grandad’s Rock – Puts The Lightie On – On The Move – Cannibal Pot – Hollerin’ And Screamin’ – (The Girl With The) Long Black Hair – Rebel Rock – Two Eyes – Hey You – Happy Go Lucky Blues – Singing The Blues – Butterfly – Doomsday Rock – Razzle Dazzle – Come On Let’s Go – Honky Tonk Blues – Young Love – You Gotta Go

2019 saw Bear Family launching a new series called The Brits are Rockin’ dedicated to the British pioneers of the ’50s.
They couldn’t choose a better artist than Tommy Steele (real name Tommy Hicks) to begin this series with. If he wasn’t the best nor the most rocking, Steele was one of the first – if not the first – and he had a strong British identity to boot. Above all, unlike Tony Crombie, who was already 30 when he jumped on the Rock’n’roll bandwagon, Steele was a teenager singing for the teenagers.
Steele began his musical career by singing Hank Williams tunes and playing guitar various bands. George Martin signed him. He later recalled: “We sat with our coffee and watched this genial young man bounce on to the stage with his guitar over his pelvis, and my immediate impression was that he was a blond cardboard imitation of Elvis Presley. Tommy had a lot of energy, but he didn’t sound too great.”
Fortunately for the young lad, people at Decca saw some potential in Tommy and, following his test audition, they almost immediately signed him. Two days later, Steele was in the recording studio to cut his debut single “Rockin’ with the Caveman / Rock Around the Town.”
This 34-song/71 minute compilation album spans the years 1956 to 1960. It shows how versatile Steele was, playing styles as various as pop-tinged stuff, country and western, novelty songs, and more. But, of course, the most exciting songs, were his Rock’n’roll sides. Steele was a credible rocker, and tunes like Teenage Party, Rock With the Caveman, Doomsday Rock, Two Eyes are small classics. This album also proposes good live versions of Freddie Bell’s Giddy Up Ding Dong and Haley’s Razzle Dazzle and the weird and Link Wray sounding semi-instrumental Drunken Guitar.
At first, I was surprised that the songs were not in chronological order, but it happened to be a good idea. It avoids the problem of too many compilations, especially when they are copious like this one, to have ten solid rockin’ tracks at the beginning and, as the years pass, you find mellower material. This is not the case with this compilation, which alternates styles and paces as well as studio and live recordings.
As usual with Bear Family, it comes with a 40-page booklet richly illustrated, though, for some reason, there’s no sessionography.
This album definitely proves that the Brits, and Tommy Steele, could easily rock like their American counterparts.
Hopefully, this is the beginning of a long series.

Available on Bear Family’s website

Fred “Virgil” Turgis

Rhythmaires (the)

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Rhythmaires (the) – Breakfast in Bed

Pink and Black PWB 001 [1985]
Breakfast In Bed – Stormy Weather – Drivin’ To My Baby’s House – Trans-Europa Express (Live)

The Rhythmaires started around 1981 under the name of White Lightnin’, with Stuart Warburton on vocals, guitar ad saxophone, Phil Morris on double bass, Gary Leach on drums, and Paul Murphy on lead guitar. Murphy later joined the Crawdads. They took the name of Rhythmaires when Big Dave Machin joined the band on drums. This line-up lasted one year before the group split to reform as a six-piece combo. By 1984 the Rhythmaires were Warburton still on vocals, tenor saxophone and harmonica; Cyril Chadwick on alto and tenor saxophones; Ian park on rhythm guitar; Jeff Pilkington on lead guitar; John Wilton on double-bass and Dave Machin on drums.
With two saxes and two guitars and the solid rhythm section formed by Machin and Wilton, it was a compelling band that recorded this ep at Twilight Studio, Salford.
Penned by Warburton, the title track is a solid jive number, quite similar in the style to the Stargazers with a touch of jazz. Their cover of Stormy Weather is in the same vein, with some doo-wop backing vocals thrown in for good measure. Nice. B-side opens with another rockin’ original that leaves plenty of room to the musicians. A live cut completes this excellent ep.

Fred “Virgil” Turgis

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