Rockabilly , Psychobilly and everything in between.

Tag archive

Gary Day

Nitros (the) – reviews

in Albums/Contemporary artists/MN/Reviews
The Nitros - Nightshades/Stompin' Beat
The Nitros – Nightshades/Stompin’ Beat

The Nitros – Nightshades/Stompin’ Beat

CDM Psycho 78 [2009]
Cat With 9 Lives / Deadly Nightshades / Saigon Baby / Misery / Crazy Crazy Crazy / Medusa / Get Off My Wagon / Well Now Baby / I’m Doing Fine / What’s Gonna Come Of Me / Stompin’ Beat / I’ll Cry Instead / Scrapin’ The Barrel / Crazy Little Thing Called Love / I Ain’t Mad / Gotta Pay / Rockin’ All Night / Dying Day / Devil’s Ship / Swingsville / Running Out Of Time / All I Can Do Is Cry / Midnight Special

 

 


The Nitros - Something's Gotta Give!
The Nitros – Something’s Gotta Give!

Rockout NITLP001 [1993]
North’n’South – Love ‘Em ‘N’ Leave ‘Em – Something’s Gotta Give! – One For You – All I Can Do Is Cry – I’ll Get Mine – I Ain’t The Giving Kind – I Won’t Worry Any More – Big Sandy – What It Worth? – I Wrote My Baby A Letter – Midnight Special

 

 

 


The Nitros - North'n'South
The Nitros – North’n’South

Rockout NITEP001 [1993]
North ‘n’ South – I’ll Get Mine – Wrote My Baby A Letter – Midnight Special

 

 

 

 

 


The Nitros - Stompin' Beat
The Nitros – Stompin’ Beat

The Nitros – Stompin’ Beat

Nervous NERD 049 [1990]
I’m Doing Fine – What’s Gonna Come Of Me – Stompin’ Beat – I’ll Cry Instead – Scrapin’ The Barrel – Crazy Little Thing Called Love – I Ain’t Mad – Gotta Pay – Rockin’ All Night – Dying Day – Devil’s Ship – Swingsville

 

 


The Nitros - Nightshades
The Nitros – Nightshades

The Nitros – Nightshades

Link LINK MLP 062 [1988]
Cat With 9 Lives – Deadly Nightshades – Saigon Baby – Misery – Crazy Crazy Crazy – Medusa – Get Off My Wagon – Well Now Baby

Sharks (the)

in Contemporary artists/Reviews/S
 The Sharks ‎– Phantom Rockers
The Sharks ‎– Phantom Rockers

 The Sharks ‎– Phantom Rockers

Nervous records ‎– NERD 008 [1983]

Moonstomp – Skeleton Rock – It’s All Over Now – Crazy Maybe – Take A Razor To Your Head – Death Row -Love Bites – Short Shark Shock – Ruff Stuff – Phantom Rockers – Charlie! – Slipped Disc – I Can’t Stop – Electrifyin’ – Ghost Train* – We Say Yeah* (* cd only)

 

 


The Sharks - First and Last Live
The Sharks – First and Last Live

The Sharks – First and Last Live

Nervous /Crazy Love [1988 – reissue 2002]
Rock The Joint ~ Pink & Black ~ Tired ‘n’ Sleepy ~ Teenage Boogie ~ Tear It Up ~ Wildcat Rock ~ Sugar Doll ~ We Say Yeah ~ Deathrow ~ Moonstomp ~ Ghost Train ~ Crazy Maybe ~ Buddy Can You Spare A Dime ~ It’s All Over Now ~ Phantom Rockers ~ Chainsaw Charlie ~ I Can’t Stop.

This album captures two shows. The first one has been recorded by the trio at the beginning of their career and the second is the last they played just before they split in 1983, hence the title. It’s mostly made for fans and it’s surely not the best album to discover this great and highly influential band. But it remains very interesting. You can hear a band of teenagers evolving from a good rockabilly cover band (the first show: well played but nothing too exceptional) into a tight psychobilly unit, this time with self penned material and a sound truly of their own.


The Sharks - Live In Japan
The Sharks – Live In Japan

The Sharks – Live In Japan

Crazy Love CLCD 64143
Deathrow – Bye Bye Girl – Cold Heart – Crazy Maybe – Dealer – Schitzoid Man – Love Bites – Morphine Daze – Side Show Freak – Between Two Worlds – Moonstomp – Surf Caster – Phantom Rockers – Charlie – Time Bomb – Ghost Train – Skeleton Rock.
The psychobilly scene counts very few solid live recordings. The reason can be found in the fact that the majority has been released in the mediocre Live’n’Rockin’ serie on Link records. But one can find some exception like The Meteors Live I, The Quakes’ Live In Tokyo, Long Tall Texans’ Five beans In The Wheel (though it’s half fake), Live’n’Undead by the Nekromantix and on top of the list : “Live In Japan” by the Sharks.
 This live recording has been captured on tape in September 1998 in Nagoya and Tokyo, during a successful tour of Japan with the pair Wilson and Whitehouse (both on top form) and Carl Parry (guitar player for Frenzy at the time) on drums who replaces Hodge the original drummer. 
The set spans the entire career of the band with “Phantom Rockers” taking the lion’s share. The trio gives a breath of fresh air – and even surpasses the studio recordings – to their classics like Love Bites, Charlie, Moonstomp and breathtaking versions of Skeleton Rock and Ghost Train. The songs from “Colour My Flesh” and “Recreationnal Killer” are well represented too here and the live gives a grittier sound than the well produced studio versions.
There’s a spirit of sheer joy (even with songs about vampires, psycho killer, electric chairs…) all along this hour plus of tight musicianship (remember we’re talking about Alan Wilson and Steve Whitehouse) that is highly communicative. In the end it’s more than a great psychobilly album, it’s a great rock’n’roll album (that deals with kids with chainsaw, girls from Transylvannia and so on, okay I know).


The Sharks - Songs from the Sarcophagus
The Sharks – Songs from the Sarcophagus

The Sharks – Songs from the Sarcophagus

Western Star [2011]
She’s Fallen In Love With A Monster Man – Draculas Daughter – Jack The Ripper – Monster In Black Tights

We’ve waited for years for it. Here it is, at last, a brand new release from those neo-rockabilly/psychobilly masters.
This 4 songs vinyl ep is a tribute to the late Screaming Lord Sutch and who was more designed to do it than the Sharks and Joe Meek specialist Alan Wilson? They manage to give their own rendition of these classics while staying true to Meek and Sutch versions.
A total, definite and absolute must have.


 

The Sharks - Infamy
The Sharks – Infamy

The Sharks – Infamy

Western Star WSRC 057 {2012}
House of Wax – A Tornado Called Smith – Holloway Road – The King Of London – First Men On the Moon – Control – Ship To Shore – Hell Riders – I Can’t Believe You’re Back – Breakin’ Bones – Luck O’ The Irish – Desert Diamond – She’s Fallen In Love With The Monster Man

The Sharks are back! After a 15 year hiatus Alan Wilson (guitar, vocals), Steve Whitehouse (super sonic slap bass, vocals) and Hodge finally got together again to record a new album. I must say that I was a little apprehensive when I put the cd in the player. Could the band match my high expectations, after all they had released some of the best neo/psychobilly album made in the 80’s (Phantom Rockers) and the 90’s (Recreationnal Killer and Color My Flesh). Recently released material on compilation albums and an ep showed they were still in good shape, but could they make it on long distance? It took just one song to see all my doubts vanish. Not only the Sharks were good but they sounded better than ever, benefiting of 30 years of experience in term of producing, playing and writing songs. Most of all they managed to keep what make their identity and reinvent themselves in the same time. You don’t have a band of fifty year old men (or so) who run after their youth, trying to sound like they did in thirty years ago. They don’t come back by pure nostalgia but because they have solid songs to defend (mostly penned by Wilson with the exception of the First Men On the Moon co-written with Whitehouse and Lord Sutch’s She’s Fallen In Love With the Monster Man). Of course there are hot psychobilly numbers like House Of Wax (perfect opener with superb vocals from Whitehouse), A Tornado Called Smith (listen to this guitar solo, it kills!), Men On the Moon and Breakin Bones (already a classic alternating slow and fast parts). Next to this psychobilly gems you’ll find an instrumental mixing Surf guitar with Mariachi music (Hell Riders),  60’s country music with a Bakersfield feel (Desert Diamond), and a great tribute to Joe Meek in the form of a pop song (Holloway Road) featuring female backing vocals and Merv Pepler (Frenzy) playing some strange noises that would have pleased the producer of Telstar. Other real life character also have their own song like the notorious bare knuckle boxer Pretty Boy Shaw (The King Of london with plunking piano) and Ronald Biggs. That’s what I call a casting!  More surprising is Luck’o the Irish sung by Doyley (Klingonz) with accordion and penny whistle for a full Pogues ambiance.
It was worth a wait of 15 years..
Comes in a nice digipack with lyrics included.

Fred “Virgil” Turgis

 

The Sharks
The Sharks

 

 

The Gazmen

in Reviews/Singles
The Gazmen - Rigormortis Rock
The Gazmen – Rigormortis Rock

The Gazmen – Rigormortis Rock

Vinyl Japan JRT9
Rigormortis Rock – Teenage Operation – Kid From Mars – Ace Of Heart

This ep came out in 1996. The Gazmen were formed around the charismatic personnality of Gary “Gaz” Day, known for his collaboration with many influential bands, notably The Frantic Flintstones, The Sharks, The Nitros, The Caravans without forgetting his stint with popstar (and rockabilly afficionado) Morrissey, whose influence can be heard on the last track of this ep. The rest of the band was basically The Sharks with the addition of ex Born Bad and Morrissey’s guitarist, Alain Whyte. They played a traditionnal psychobilly close to the Sharks (not very surprising) and the early Meteors, Day’s voice reminding the great Nigel Lewis, but with a fuller sound. The song Rigormortis Rock was first released by Alan Wilson (who wrote it ) under the band name of The Space Cadets (not to be confused with Mouse’s band) around 1984 on the Nervous compilation Hell’s Bent on Rocking. Some of these songs were also part of the set when Gary was in the Sharks.
This ep has been re-released on cd in 2000 on the american Rock It label but is also out of print. This four songs are now available on the Anagram compilation album Rockin’ With Morrissey’s sidemen.

Gazmen (the) – psychobilly band with Gaz Day

in Profiles

GazmenThe Gazmen

Country: England
Genre: Psychobilly

Gary Day: vocals / bass
Alain Whyte: guitar
Alan Wilson: guitar
Hodge: drums

Gary "Gaz" Day
Gary “Gaz” Day

The Gazmen were formed around the charismatic personnality of Gary “Gaz” Day, known for his collaboration with many influential bands, notably The Frantic Flintstones, The Sharks, The Nitros, The Caravans without forgetting his stint with popstar (and rockabilly afficionado) Morrissey.. The rest of the band was basically The Sharks with the addition of ex-Born Bad and Morrissey’s guitarist, Alain Whyte. They played a traditionnal psychobilly close to the Sharks (not very surprising) and the early Meteors, Day’s voice reminding the great Nigel Lewis, but with a fuller sound.
The Gazmen released one four-track ep on Vinyl Japan in 1996, later reissued in cd due to Day’s popularity in Morrissey’s band. The songs were Rigormortis Rock (previously recorded by Alan Wilson under the moniker of the Space Cadets for a Nervous compilation), Teenage Operation, Kid from Mars and Ace of Hearts (that has a strong Morrissey feel). Some of these songs were part of the Sharks set when Gary was in the band (see the compilation album Rare Psychobilly from the Vault of X-Ray Studio). More songs were recorded but never saw the light of day. The line-up later evolved, including Pug from the Frantic Flintstones and Stuart from the Guana Batz.
They appeared at different all dayers including one Big Rumble I guess.
The Gazmen were a very good band and one can only regret they never released a full album.

Rigormortis Rock – Vinyl Japan JRT9 [1996]
Reissue on CD on Rock-It Records [2000]

The Mysterons

in Profiles

Country: England
Genre: Psychobilly

Gary Day: double bass / vocals
Johnny “Pug” Peet: guitar / vocals
Mark Clements: drums

The Mysterons were a psychobilly band heavily influenced by the early Meteors that lasted from mid 1986 to mid 1987.
They recorded a four track demo tape with “No One Stays“, “House Of Rockin’ Bones“, “Crazy Blood” and “Highway To Hell“. The band wasn’t really going anywhere so they decided to split. Day joined the Frantic Flintstones and was joined by Pug on their second album Rockin’ Out (Link records) that features No One Stays and House Of Rockin’ Bones.
Mark Clements joined a ska band called the Riffs.

The Caravans

in Albums/CD/Contemporary artists/Reviews
The Caravans - Easy Money
The Caravans – Easy Money

The Caravans – Easy Money

Nervous Records – NERD 036 [1988]
Rough Diamond – Sneakin` Out – I`ve Lost , You Win – Cryin’ – I Ain’t Got No Excuses – Easy Money – A Better Place – Blues Train – Stranded – Good Bye, Good Bye – In The Heat Of The Day – Sometimes I Wish – Stoned Tired & Cryin` – (Be My) Heart`s Desire – Love Me Like You Do

The Caravans formed in 1983 and after a few contributions to various compilation albums they finally released ther debut album on Nervous records in 1988. The line-up for this album was Mark Pennington (double bass/lead vocals), Rich Caso (lead guitar who replaced former lead guitarist Rob taylor), Darren Francis and Brian Gillman (rhythm guitars) and Lee Barnett on drums.
The result is very good melodic but hard hitting neo-rockabilly. All the songs are originals mostly from the pen of Pennington. Some songs are very good (Easy Money, Goodbye Goodbye, Sneakin’ Out, A Better Place, Cryin’ in a neo-Gene Vincent style or the hillbilly skiffle of In the Heat of the Day with accordion) still, some are more average and break the dynamic and the homogeneity of the records . And on some songs the two rhythm guitars add more confusion than power.
A good album but had it been limited to 6/7 tracks it could have been a killer.
Later reissues on cd include four unreleased songs from the same sessions.

the Caravans


Caravans - No Excuses
Caravans – No Excuses

The Caravans – No Excuses

Chuckeedee Records – CHUC 001 [1991]
After the release of their debut album (Easy Money) the Caravans saw some line up changes. Brian Gillman, Darren Frances and Lee Barnett had left . Mark Pennington (vocals and double bass) and Rich Caso (lead guitar) then recruited Johnny Bowler (who played bass with Caso in Get Smart) to play drums and this three piece band recorded No Excuses for Chuck Harvey (Frantic Flintstones) short lived label.

Though Easy Money was good, it contained a few fillers that broke the dynamic of the album and were a bit monotonous on long distance. This is not the case here. No Excuses is simply perfect. It’s exactly what one can expect from a neo-rockabilly album with powerful slap bass, syncopated drums (with breaks and rolls), light guitar. The absence of the two rhythm guitar doesn’t affect the sound of the band, far from that. It’s clearer and Caso’s solos are more in evidence rather than drawned in the rhythm section like on Easy Money. The better mix also helps alot to achieve that.

The reissue features the three tracks of the « On The Rocks » Ep.


The Caravans - Straightside
The Caravans – Straightside

The Caravans – Straightside

Rockout [1994] Crazy Love [reissue 2001]
Sure Miss You – Hobo Baby – Rockin’ Tonight – Baby Blue Eyes – Sunset Blues – She’s Just Rockin’ – Baby that’s Where You’re Wrong – Mean & Cruel – Lost Love Blues – Do Without You – That’s What It’s Meant Tobe – Freight Train – That Gal Of Mine – That’s My Belief – Gonna Love Ya – Ole River Blue – Want U Back

New album and new line-up for the Caravans. On Straightside Sean Goan arrived on drums, Jonny Bowler switched to doublebass and leader Mark Pennington ended on… guitar.
But this is the main change to be noted for the music remains more or less the same than on the previous albums.
Good originals and tailored made covers to suit the brand of neo-rockabilly that became the Caravans’ trademark.
Originally released on orange vinyl on Gaz Day’s Rockout records and later reissued on cd on Crazy Love with five bonus tracks.

Fred “Virgil” Turgis

Go to Top