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Rockin' Blues

WIld Ones (the)

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wild ones

Wild OnesWild Ones (the) – Feelin’ Good

Migraine Bop 32 [2018]
Feelin’ Good – I’m Coming Home

One of Europe’s best rockin’ band returns thirty years after its latest release. I really liked the Wild Ones back in the days and to be honest I didn’t know what to expect with this new release. Would it be as good as their old recording, Wouldn’t it tarnish the legacy of the band? What if Dee had lost his voice? My fear quicky vanished as soon as I played the record. The Wild Ones still have it and with the help of Tony LaMonica their newly recruited guitar player they rock like hell.
These two sides are full of rockin’ blues with mean guitar and equally mean blues harp (and yes, Wild One Dee still has his voice). Now, let’s just hope this is a warming up before a full LP.
Limited edition.

Wild Ones - Sounds like Gene Vincent
Wild Ones – Sounds like Gene Vincent

Wild Ones (the) – Sounds like Gene Vincent

Rockouse – MLP 8804   [1988]
Wildcat Boogie – Two Eyes – Ain’t She Sweet – It Won’t Work – My Baby She’s Gone – In My Dreams – Cruisin’

With such a title and musicians dressed like the Blue Caps circa 1956 you won’t be surprised to find more than a strong Gene Vincent influence on this mini-lp.
In My Dreams, Cruisin and Ain’t She Sweet are lifted from the Sreaming Kid repertoire and a fourth cover, Two Eyes, is a Tommy Steele song. They are played with the right energy and intensity in the vocals and the guitarist is good enough to play some Cliff Gallup inspired parts and despite being very close to the originals, they are not just note for note versions.
The remaining three songs are penned by the band’s singer Didier Borra.
Both It Won’t Work and Wildcat Boogie previously appeared on a single and sound as good as anything the early Blue Cat Trio released. Though there’s no indications of recording date or place, one can assume that all the songs come from the same sessions, or at least the same period, that is to say 1983.
The remaining song, My Baby She’s Gone, is by far the best of the album, opening with a strong slapping bass for two and a half minutes of Rockabilly. It would later be reworked under a new title and with a new sound for the band’s debut album « Crossroads ».

The Wild Ones – Crossroads

Accord – 130082 [1987]
The Best Way To Jive – I’m Back – Got My Mojo Working – Cat Squirrel – The Southern Cats Are.. Go! – Lust For Life – I’ll Go Down To Hell With You – Cold Grey Town – Evil Creature On The Go – Cat Woman

wild onesIn the first half of the eighties, The Wild Ones released singles heavily influenced by Gene Vincent before evolving and expanding their sound, developing a personal style. The Best Way To Jive, which opens the album, represents this open-mindedness, mixing blues harmonica, organ, jazzy guitar and superb rhythm, including delicate brushed snare. More powerful is their cover of Doctor Ross’ Cat Squirrel.

A female singer joins Didier Borra to sing the country-tinged The Southern Cats Are Go. If she’s sometimes a little bit out of tune, she compensates with energy and enthusiasm, and the song remains catchy and pleasant. The group had previously recorded Cold Grey Town under the title Baby She’s Gone. Here, the tune is transfigured, the Rockabilly style of the original giving way to blues-rock with strong Thorogood accents (although with a powerful double bass.) The same can be said of I’m Back, which drowns the listener under a deluge of slide guitar and rushes like a train through the night. Borra gives everything, close to suffocation, supported by a group on fire (this phenomenal double bass again and again).

The Wild Ones do not hesitate to appropriate Iggy Pop’s Lust For Life (which was begging for that) and transform it into punkabilly blues with the best effect. The first chords of Down to Hell suggest a calmer song and a little rest for our unfortunate legs. Then, the group suddenly launches into superb rock ’n ’ roll, which allows us to appreciate the excellent production work and the subtle balance, even on a fast track, between the instruments and the care taken to separate each one by giving it a specific texture. Covering Got My Mojo Working is just a formality when you have such talent.

Evil Creature cheerfully mixes blues, Johnny Kidd-style rock (Casting My Spell) and even a hint of early Psychobilly. The album closes with the melodic Catwoman.

A great album from start to finish.

Wild Ones (the) – Wildcat Boogie

Blackjack – NR 4035 [1983]
Wildcat Boogie – It Wont Work

With this second single, the Wild Ones are more confident, and the musicianship is better. The influence of Gene Vincent and bands like the Blue Cats can be heard all over those two original songs from the Cliff Gallup inspired guitar solo to the production.
Note: the bass player on this single and the following mini-album “Sounds Like Gene Vincent” is Dirk Schoufs who later formed Vaya Con Dios with whom he found success. Sadly he died in 1991.

Wild Ones (the) – I’m A Wild One Baby!!!

Little Big One ‎– L.B.O. 116 [1981]
I’m A Wild One baby!!! – Crying All Alone
Released in 1981, this is the debut single from this famous Belgium band. As one can guess, it’s a bit young and needs some cohesion in places, but the result is quite pleasant.
“I’m a Wild One Baby!!!” lives to its title with call and response from the band, screams, and whistles, the whole thing played at a frantic pace.
The flip side is a mid-tempo with some Cavan vibe and an exciting guitar solo.

wild ones
The Wild Ones [Sounds Like Gene Vincent line-up]

Jim Carlisle

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Jim Carlisle – Don’t Start Cryin’ Now

Jim Carlisle

Billy Goat BILL 001 [1978]
Don’t Start Cryin’ Now / She Knows How to Rock Me
Jim Carlisle, who later formed the Blue Rhythm Boys with Paul Ansell, made his debut recording on Billy Goat records in 1978 with this single on which he plays all instruments.
The A-side is a Slim Harpo tune turned into a Rockabilly that wouldn’t be out of place on Sun or Meteor labels. The sound is impressive, very authentic as some would say, and if you didn’t know it was recorded by a British guy in the late seventies, you’d swear it comes straight from an old dusty box of unissued tapes from the fifties.
The same goes for Piano Red’s She Knows How to Rock Me which is more rockin’ blues.

Fred “Virgil” Turgis

D.D. Kid Combo

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DD Kid Combo

DD Kid Combo
DD Kid Combo

D.D. Kid Combo

Martin’s Garage ‎– STR-MGV-005 [2017]
Bad Luck Baby / Goodbye Baby

Coming from Martin’s Garage the label that gave us the excellent Star Time Playboys, here comes the D.D. kid Combo.
How do you like your blues? If you like it wild, mean, dirty and raw, if you like Hound Dog Taylor or modern artists like Pat Capocci, jump on this brilliant single (by the way, two songs are way too short).
With a full frontal attack of DD Kid’s guitar aptly supported by a excellent slide, an acoustic guitar and drums, these guys take no prisonners.
There’s quite a few excellent rockin’ blues combo on the scene right now, and judging by this single, DD Kid Combo are at the very top; I’m eagerly waiting for more stuff from this band.

Fred “Virgil” Turgis

The Juke Joint Cruisers

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The Juke Joint Cruisers - s/t

The Juke Joint Cruisers - s/t
The Juke Joint Cruisers – s/t

The Juke Joint Cruisers – s/t

Juke Joint Records
Hot Rod Guy – Juke Joint Jumpin’ – Nagging, Nagging – Road King – Tore Up – Diamond Ring – Your Love – Rhythm Rustler – The Last Petal – Latina Tina

The Juke Joint Cruisers come from Colorado and they are Randy Watson (guitar and lead vocals), Mike Boyce (double bass and lead vocals) and Lee Lippstrew (drums). This is their debut album and it’s been entirely recorded live which is the best way in my opinion to record this music. Produced and recorded by the band It’s a very solid album, featuring all original material. They have the good idea to keep it short (10 songs and 30 minutes), which avoids the temptation to include second choice material. All the songs here are first rate and varied. It also takes you back to the good old vinyl days a feeling reinforced by the Side A and Side B on the back cover. Their sound mixes rockabilly with rockin’ blues and the result is sure to appeal to fans of Lee Rocker, the Nervous Fellas and most of all the early Paladins. In addition you’ll also find more country oriented stuff like “Nagging, Nagging ”, latin beat (Latina Tina) and a Chuck Berry meets Link Wray and Duane Eddy instrumental (Rhythm Rustlers). No rockin’ album would be complete without a rockaballad and Boyce’s The Last Petal perfectly fills this void.

Fred “Virgil” Turgis

Nico Duportal and his Rhythm Dudes

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Nico Duportal & his Rhythm Dudes - Dealing with my blues

Nico Duportal & his Rhythm Dudes - Dealing with my blues
Nico Duportal & his Rhythm Dudes – Dealing with my blues

Nico Duportal and his Rhythm Dudes – Dealing with my blues

Rhythm Bomb Records ‎– RBR5844 [2016]
Don’t You See – I Know The Rules – Now Hush – The One To Blame – I Will Unfriend You – Mess And Chaos – Benzola Ascensor – Sometimes – Brand New Day – Junior’s Mambo – Soul Patch – Long Way To Go – Mess And Chaos (Acoustic Bonus Track)

Nico Duportal,French ace guitar player and singer, is not the kind of guy to rest on his laurels. One year after the excellent Guitar Player (that I hope you all own) he releases a brand-new platter that is even better. Once again, the Rhythm Dudes (Pascal Mucci on drums, Alex Bertein on baritone, Thibault Chopin on upright bass, Sylvain Téjérizo on tenor and Olivier Cantrelle on piano and organ.) are here to provide the perfect background to let the many talents of mister Duportal shine.

While his previous album was almost 100% rhythm’n’blues, “Dealing With My Blues” expands his musical horizons and shows the influence of many other genres, including a heavy dose of Soul with, terrific idea, the use of an organ (and if you like Jimmie Va. There’s someTilt a Whirl band, you’ll be delighted) Mambo too with Junior’s mambo penned by  Tim Lelegems ex-Fried Bourbon and Shakedown Tim and the Rhythm Revue, a band recently produced by Duportal. There’s also a bit of of surf (Soul Patch), a hint of Calypso (the One to Blame) and more modern things like Mess and Chaos (that Don Cavalli co-wrote) that shows that Duportal is not a “revival” guy and that his music is not a piece of museum.

All songs are originals mostly penned by Duportal but bass player Thibault Chopin composed two (and co-wrote another). In addition to Junior’s Mambo Tim Lelegems co-wrote I will Unfriend You (facebook friends beware!) and last but not least French blues legend Benoit Blue Boys penned Benzola Ascensor an instrumental on which he also plays harmonic (by the way Nico will appear on Benoit Blue Boy’s forthcoming album, a tribute to French Rock’n’rollers of the of the fifties like Mac Cak.)

Buy it here or if you order from France here.

Fred “Virgil” Turgis

Nico Duportal and his Rhythm Dudes - Guitar Player
Nico Duportal and his Rhythm Dudes – Guitar Player

Nico Duportal and his Rhythm Dudes – Guitar Player

Rhythm Bomb Records  – RBR5800 [2015]
When I’m Gone – Lost In The Game – Polish Woman – Oh Baby – Can’t Afford To Lose Her – She Knows How – Real Good Lovin’ Tonight – Big Mary’s – Guitar Player – Oh Oh – Josh & Slim – Much Later – Polish Woman (bonus track, unreleased version)

If you dig 50’s black rhythm’n’blues, stop what you’re doing right now and run to your local record shop – if it still exists – or go to Rhythm Bomb’s website to buy Nico Duportal’s amazing fourth album. When you listen to it, you’d swear that someone has unearthed a lost recording made for Peacock or Specialty and put it on cd.
The last time I had the same level of enthusiasm for a similar artist was at the turn of the millenium when I listened to Nick Curran’s debut album.
Like Curran, Duportal has the whole package: the voice, a guitar style in which one can hear the influences of Tiny Grimes, T. Bone Walker, Gatemouth Brown and Johnny Guitar Watson and the songs (and he even has the look!). Six out of 12 are originals he wrote or co-wrote and double bass player Thibaut Chopin wrote another one. The cover are well selected coming from the catalog of Jackie Brenston, Titus Turner, Johnny “Guitar” Watson and Eddie Bo.
One word has to be said about the Rhythm Dudes without whom this album wouldn’t be such a success. The rhythm section (Olivier Cantrelle on piano, Pascal Mucci on drums and Chopin on bass) keeps a steady beat whith precision and swing (yes, both!) while the horns (Alex Bertein on baritone saxophone and Arnaud Desprez on tenor) are groovy, juicy and hot.
A must have.

Fred “Virgil” Turgis

The Blue Rhythm Boys

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Blue Rhythm Boys - At Last (wild records)
Blue Rhythm Boys – At Last (wild records)

Blue Rhythm Boys - At Last (Big Beat)
Blue Rhythm Boys – At Last (Big Beat)

The Blue Rhythm Boys – At Last

Big Beat CD WIK 105 {1992}
Wild Records {2010}
That’s The Stuff You Gotta Watch – I’ll Go Crazy – Person To Person – I’m Walkin’ – It Isn’t Right – Cajun Love Affair – Trace Of You – Crazy Mixed Up World – Ride ‘N’ Roll – Babe’s Comin’ Home – Mother Earth – I’ll Try – Hoochie Coochie Man – Come On Back – Wang Dang Doodle – Breathless – Blue Rhythm Boogie – Go Ahead On – Catfish

Wild records has the good idea to reissue this now hard to find jewel, first released in 1992 on Ace / Big Beat.

“At Last“, seldom an album had a so perfectly suited title. This 19 songs album (15 on the 10” vinyl) fulfilled a wait of almost 10 years. Recorded live in one hectic 10 hour session it finally shows the Rhythms’ on a long distance and it was worth the wait.
The line-up has changed a bit since the EP. Ashley Kingman (Red Hot’n’Blue, Rockin’ Rocket 88 and now Big Sandy And His Fly Rite Boys) joined Ansell and Carlisle on second guitar while Matt Jackson (a gifted guitarist too) was on drums and Nick Gillroy on bass. They took advantage of this fuller line-up to delve into a more rhythm and blues/Chicago blues repertoire with songs by Willie Dixon, Fats Domino, Howlin Wolf, James Brown, Memphis Slim and Little Walter. They are often close to the originals (Hoochie Coochie Man, Wand Dang Doodle) while sometimes playing them in a rockin’ blues way (“The Stuff You Gotta Watch”). Conway Twitty’s I’ll Try is turned into a blues with pumping piano and soulful vocal from Ansell and a scorching guitar solo that make this song one of my favorite (if you’re interested). The frantic covers of Tommy Cassell’s Go Ahead On and Jerry Lee’s Breathless are here to remember us they started as a rockabilly band as do Ansell’s own “Come On Back” with another wild solo from Jim Carlisle (what a guitarist!). Another fave of mine is Cajun Love Affair with harp and some French lyrics to add the Louisiana flavor.If you like good rockin’ blues with a touch of rockabilly and soul here and there, put your hand on this one. All killer, no filler !

Available at Wild Records.
Fred “Virgil” Turgis

Blue Rhythm Boys - Northwood
Blue Rhythm Boys – Northwood

The Blue Rhythm Boys – Northwood ep

Northwood Records.-NWEP 101
Rollin & Tumblin/My Happiness/That don’t move me /Nobody but you

In the world, there are some enigmas which remain unexplained and others which find sometimes their resolution. But while waiting for this moment of “light”, the men think hard fantasise and seek placebos. For a long time the Elvis “My Happiness” version, the first recording of the future King for the Sun label remained a mystery, an “all the dreams” object for wild imagination of the whole wide world rockers. Was it possible to sense an already germinated hillbilly cat magic in this title? Even some suspicious people wondering whether this legendary Graal really existed until it was finally discovered and published for the first time ever.
But before this magic moment, a blue EP enabled us to have an idea of what this song was supposed to sound by a young Elvis. This mono recording Ep released back in the early eighties by the no longer alive british label Northwood had on his cover written in some large black capital letters framed by musical ranges what seems to be the name of the band : “The Blue Rhythm Boys”. But inside of that modest blue cover there was four tracks of pure rockabilly blues dynamite which included a presleyan “My Happiness” cover
Paul Ansell, the singer, for whom it was the first band, gives us an idea with his inhabited voice of what one dreamed being Elvis interpretation of that Betty Peterson and Borney Bergantine song. It was like holding in your hands the real one copy Sun single and being Indiana Jones listening to that relic of the past!!! It was for my part the first time that I heard a “so much fifties sounding” combo. The other tracks were “Rollin & Tumblin” (Muddy Waters), That don’t move me (Carl Perkins) and Nobody But You (Little Walter) and are real killers played by some of the finest british musicians of that era (Jim Carlisle – slide guitar, Allen Thow – bass and Jeff Tuck – drums). If you haven’t already lived that experiment and even if we all know today the Elvis “My Happiness” cover, it’s never too late to listen to what has become a rockabilly milestone for many rockers around the world.

David “Long Tall” Phisel