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Loneshots (the)

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Loneshots (the) – self-titled ep

Loneshots

Sweet 50’s Rock ‘n’ Roll Promociones ‎– SFEP 001 [1995]
Don’t Take It Away – Stop, Look ‘n’ Listen – You’re Not The Best – Rockshot
After the split of Los Tornados, Anabel Moreno founded The Loneshots with some of the best rockabilly musicians on the Madrid scene, namely Diego Araoz on guitar, Carlos Lopez on double bass and Javier Sarmentero on drums. The Loneshots were the first Spanish band to play the Hemsby weekender. In 1995 they released this four-track Ep, their sole musical testimony on wax.
Three songs are originals, and the cover, Stop, Look ‘n’Listen, comes from the repertoire of Patsy Cline. Annabel is a terrific singer, and the band has an excellent traditional Rockabilly sound with jazzy and swingin’ tones that is mainly present on “Rockshot,” the instrumental that closes the ep.
After the band broke up, Miss Moreno went on to form Anabel and the Rock-a-bells while Diego Araoz and Javier Sarmentero played in the Milestones that released one album on El Toro.

Fred ”Virgil” Turgis

Rossella Scarlet

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Rossella Scarlet & the Cold Cold Hearts – The Day Will Come

Rossella Scarlet

El Toro Records ET-15.128 [2019]
You Were So Blind – A Painting On the Wall – The Day Will Come – Wondering

Rossella Scarlet comes from Italy and is now living in London. She just released her debut ep on El Toro backed by the Cold Cold Hearts (I suspect the young lady to be a Hank Williams fan.) This terrific musical aggregation consists of Graham Murphy (Jump Cat Jump, Frantix) on guitar, Phil Morgan (Lynette Morgan & The Blackwater Valley Boys, Doel Brothers) on steel guitar, and Emma Goss (Sara Vista, Something Shocking) on double bass.
If you like classic country music straight from the late 40s/ early ’50s look no further, this ep is for you. Three songs are from the pen of Miss Scarlett, and Frankie Riedel wrote the fourth one (Wondering). So not only we have a pretty good singer with a vibrant voice but also a solid songwriter.
“You Were so Blind” is a superb hillbilly that has nothing to envy to Wayne Hancock. “A Painting on the Wall” is a soulful ballad with a haunting steel guitar. Though good, it could easily be one minute shorter to be more efficient.
B-side kicks off with “The Day Will Come,” another tune strongly-led by the double bass. Supported by a delicate guitar picking, “Wondering,” a duet with Phil Morgan, closes the set in beauty.



Mad Tubes (the)

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Mad Tubes (the) – Rockin’ Roots

mad tubes

El Toro [2010]
Up the Line – Little Mixed Up – Dust My Broom – Big Legs Woman – You Know You Hurt Me – T-Bone Shuffle – Wig Hat – Don’t Bug Me Baby – Black Brown and White – Don’t Be Gone Long – Love My Baby – Hot Tamales – Treat Me Right – Your Bite So Tight – Hot Road Blues

The Mad Tubes are an Italian trio that plays Chicago Blues with a rockabilly attitude similar to the Paladins or the Nervous Fellas. Next to their own numbers, the songs come from the catalogs of Robert Johnson, T-Bone Walker, and Little Walter. Both the guitar player and the bassist sing which adds diversity to their sound. It’s an enjoyable release played by three excellent musicians with solid originals. The guitar sound is OK too though I’d probably enjoyed a grittier and fuller production especially on the voices that sound a bit thin.

Fred “Virgil” Turgis

Mitch Woods

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Mitch Woods Jukebox drive

Mitch Woods – Jukebox Drive

El Toro Records
Jukebox Drive – Drunk – Boppin’ The Boogie – Blue Light Boogie – Saturday Night Boogie Woogie Man – Blues Hangover – Boogie Woogie Bar-B-Q – Tipitina – Boom Boom – Parchman Farm – Swell Lookin’ Babe – Mitch’s Boogie

Piano player Mitch Woods has made quite a name on the blues/jump scene, releasing numerous albums. He also worked with legends such as John Lee Hooker and Earl King to name but two.

His touring led him to Europe where he stopped in Barcelona, Spain. There, he met one of the finest gang of blues and jump musicians : The Lazy Jumpers. Together they recorded these fine piece of jumpin’ blues, boogie woogie and juicy rhythm and blues.

Half of the 12 songs are Woods’originals, but if the credits weren’t written, you’d swear these are covers as they perfectly fit in the rest of the material. The general inspiration rangess from Louis Jordan to Jimmy Liggins, but you also find a straight blues number with Hooker’s Boom Boom (not very original idea of cover, but well played so… enjoy), a bit of rock’n’roll (the Little Richard inspired “Swell Lookin’ Babe“) and on the jazz side a solid six minute version Mose Allison’s Parchman Farm.

Another nice addition to El Toro Rhythm & Blues serie and one more evidence of the Lazy Jumpers’ talent.
Buy it here.


Fred “Virgil” Turgis

Wise Guyz (the)

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Wise Guyz

Wise Guyz (the) – Don’t Touch My Greasy hair [2011]

El Toro
Don’t Touch My Greasy hair – It’s Not Right – I’m A fool – Heat – Hey hey Little Chick – I’ve Kissed You baby – Jukebox Jumpin’ – Rock Me Baby – I wanna Be – Moonlight In The Dark – Kissin’ Is On My Mind – Really Rocket – Girls babies Chicks & Hunnies – Hold Me baby – Let’s Fly To The Stars – Love Me Or Leave me – Goodbye My Baby

This is the fourth album for the Wise Guyz. This quartet comes from Ukrain. The first listen makes clear that Johnny Burnette is an obvious influence for these guys. They try to vary things by bringing a sax on “Heat”and “Hold Me Bay” but it’s not very well exploited and fail to convince like their doo wop attempts (I’ve kissed You). The constant distortion on the voice is, at the end, very disturbing and I was curious after two songs to hear how the singer really sounded. Could he sing without that artifice? It’s only on the 15th song, a gentle ballad, that his “real” voice” could at last be heard. It proves that the band should really play more in this way.

Their originals are good, but far from being unforgettable, and once again I maintain that 17 songs are way too much for a rock’n’roll album , and after 8 songs they all sound more or less the same. Too many musicians forget that Rockabilly is mainly a music made for 45’s.

For fans of desperate rock’n’roll things.

Fred “Virgil” Turgis

The Doel Brothers

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Doel BrothersThe Doel Brothers – There’s a bottle on the table

El Toro Records – ETCD7027 [2019]

Bottle On the Table – Beer Bucket Boogie – Thanks A Lot – Baby I’m Ready – Love Letter – Distance Between You And Me – Welcome To My Heart – Just Say You Don’t Know – Jealousy – New England In The Fall – Country Bum – Hole In My Shoe – Viva Las Vegas – How High The Moon

Our favourite hillbillies, the Doel Brothers (Gordon on vocals and rhythm guitar, David on vocals and lead guitar Tom or Curtis on drums with Steve Whitworth on double bass and Phil Morgan on steel guitar) are back and they did it again! Can you believe it, it’s already their fourth album and it seems that each of their album is better than the previous one. I don’t write that lightly, considering that I already placed their debut effort as one of the best contemporary hillbilly platter, able to stand proudly near another of my favourite combo, namely the Dave and Deke Combo.

With five covers and nine originals penned by David and Gordon Doel who also share vocal duties, “There’s a Bottle On the Table” is a hillbilly / rockabilly / western bop rollercoaster from start to finish with top musicianship, solid songwriting and perfect production. It also comes with a superb cover illustrated by Garry Boller which gives you another reason to jump on that little jewel!
The repertoire ranges from straight Rockabilly like Bottle on the Table and Love Letter (the latter having a strong Sun flair) to country boogie with Beer Bucket Boogie, an original that sounds like an unissued Tennessee Ernie Ford tune. Phil Morgan’s steel guitar part with ricochets à la Speedy West adds to this feeling.

Other than those song you’ll find a bit of bluegrass with their cover of Dwight Yoakam’s The Distance Between You and Me with harmony vocals and dobro as well as some western swing influenced stuff (New England In the Fall), shades of Johnny Horton (Welcome to My Heart) and Little Jimmy Dickens (Hole In My Shoe) and lot of plain old hillbilly and Honky Tonk.

The bonus track is a cover of How High the Moon, dedicated to the memory of their dad that would make both Les Paul and Rhubarb Red proud.

Grab your moonshine, take a sip, roll back the rug, put the record in the player and enjoy the sweet sound of the Doel Brothers.

Fred “Virgil” Turgis


The Doel Brothers - Oh Brother... It's The Doel Brothers
The Doel Brothers – Oh Brother… It’s The Doel Brothers

The Doel Brothers – Oh Brother… It’s The Doel Brothers

El Toro {2013}
Educated Mind – Goin’ Away – Kissin’ Bug Boogie – I’ll Do It Everytime – Sure You Won’t – I Need Your Lovin’ – Pick You Up – Whiskey Lovin’ Fool – Nothin’ ’bout Love – Tell Me You’re Mine – Rockin’ Shoes – Hey Baby

The Doel Brothers come from England and are David, Gordon and Tom Doel plus Gary Boller. They previously played with the Western Aces, the Radio Ramblers, the Westernaires so these four guys are not exactly newcommers but this is their first one under this name. And what a record! I hadn’t heard such a good hillbilly tinged platter since the heyday of the Dave and Deke Combo (or at least the Horton Brothers) and that was not a surprise to see that Dave “Pappy” Stuckey wrote the laudatory liner notes.
This record is simply amazing with superb originals (and I mean REAL originals, not old melodies quickly rearranged with new lyrics as it’s too often the case), beautiful harmonies reminiscent of the Farmer Boys or Rusty and Doug and top notch musicianship. There’s also a bit of Tennessee Two in Sure You Won’t (the influence of Cash can also be heard on Rockin’ Shoes) and Rockabilly too (I Need Your Lovin’). The whole set is completed by three excellent cover of Tennessee Ernie Ford, Johnny Horton and Tom James.
Cuzzins, believe me, I strongly advice you to get this record, this is hillbilly bop as it should be played.

Fred “Virgil” Turgis

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