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Horton Brothers (the)

The Horton Brothers – Tempo for Two

Texas Jamboree TexJam 0062 [2005]
Hey Little Momma – My Own Two Eyes – North To Dallas – I Ain`t Got Time For Love – More Than I Cay Say – Locked Out Of Love AgainI Had One Too Many – She Tells Me With Her Eyes – Shadows Of The Old Bayou – Yesterday´s Blues – Just Who

Horton Brothers tempo for two

Even if they were still active on the scene, The Horton Brothers hadn’t released anything on their own since “Heave Ho“ in 2000. But it was worth the wait because this album is simply great. Just have a look at the musicians: playing with Bobby and Billy are Dave Biller, Buck Johnson and T Jarrod Bonta, the same winning team you find on Shaun Young’s Wiggle Walk. Even if this record is still what you can expect from the brothers (sweet harmonies, beautiful melodies…) I should say, comparing to Heave Ho or Roll back The Rug, that this one is less “rural” and sometimes more 60’s-sounding. The opening track, Bobby’s Hey Little Momma, has a very Buddy Holly feel with his beat à la Not Fade Away. The Buddy Holly connection continues with the Sonny Curtis and Jerry Allison song “More Than I Can Say“. A beautiful version all in subtlety. Another cover, Ruth Brown’s “She Tells Me With Her Eyes” has a very strong Phil Spector feel in it (with those big drums rolls used in place of the “shoo-bee-dooby-wops”). Another highlight is “I Had One Too Many”, The Wilburn Brothers song. They really rocked up this one with a wild boogie piano part and it works. But as usal, if the covers are great, the real strength is in the songs written by the brothers. “My Own Two Eyes” is by far my favorite with a solid tempo and nice harmonies, and “Yesterday’s Blues” is a beautiful slow tempo with sax (played by Billy).


The Horton Brothers – Jack in the Boogie Box

Ecco-Fonic EF-1010 [1997]
Jack in the Boogie Box – Just a Pickin’ and a Slappin’ – Roll, Hot Rod, Roll

Horton Brothers Jack In The Boogie Box

After a half-convincing first album on which the two brothers still seemed to be searching for their sound, Bobby (guitar) and Billy Horton (upright bass) moved to Austin. Then, the Horton Brothers began to develop their own style, thanks to Shaun Young (High Noon), who notably advised them to focus more on vocal harmonies.
The first result of this evolution materialized as an EP recorded at Fort Horton Studios and released on Ecco-Fonic Records, Deke Dickerson’s label. The two brothers were backed by Shaun Young on drums and Derek Peterson (Kidd Pharaoh, Jive Bombers) on rhythm guitar.
On side A, we find Jack In the Boogie Box, a mid-tempo hillbilly-boogie penned by Billy, on which the voices of the Horton brothers are reminiscent of the Belew Twins. The duo later re-recorded this song for Heave Ho, their third album.
Side B contains two tunes. The first is an excellent instrumental composed by Bobby, whose program is contained in its title “Just A Pickin’ and A Slappin’” (and also a little drummin’). The second track is a boisterous cover of Oscar McLollie’s Roll Hot Rod Roll.


1200 copies, pressed on black vinyl.


The Horton Brothers – Hey! It’s Bobby and Billy

Crazy Love Records CLLP 6418 [1996]
Hillbilly Hepcat – Smoochin` With My Baby/Please – Hello, Hello – Let`s Go Boppin` Tonight – Talk To You By Hand – The Other Side Of The Moon – The Beaumont Boogie – I Can`t Sit Still – Insomnia – Are You In Love? – Look My Way – Scary Cat – I`m Out

The Horton Brothers – Hey It’s Bobby and Billy

Hey It’s Bobby & Billy” is the debut album from the Horton brothers on which they are backed by top musicians including Shaun Young, Chris Miller, Tjarko, Lisa Pankratz. It contains good moment but to be honest, it’s far from the Horton sound they developped with their following albums. On this platter they are still in the process of learning their chops and finding their style and the album seems to suffer from a lack of direction. Some songs are good and announce “Roll Back The Rug…” but the sound remains a bit modern. It’s even more evident on some rockabilly material like « Look My Way » or « I Can’t Sit Still » that is closer to the Stray Cats than, say, Rusty and Doug. 
Not as essential as the rest of their discography but worth a spin nonetheless.

Fred “Virgil” Turgis

Horton Brothers (Billy and Bobby)
Horton Brothers

Country Cabin Boys (the)

Country Cabin Boys (the)

country cabin boys

Wounded Knee Polka/ Lucky’s Lullaby
Ecco-Fonic – EF 1002 [1994]

Formed by members of the Fly-Rite Boys, The Country Cabin Boys were more a recording project than an actual band. They were Ashley Kingman on guitar, Lee Jeffriess on steel guitar, Bobby Trimble on drums, and ex-Ecco-Fonic Johnny Noble on double bass. Wally Hersom avoided bass duties to concentrate on the recording.
The band performed instrumental hillbilly jazz in the same vein Speedy West and Jimmy Bryant did.
A-side is a polka featuring a guest appearance by former Fly-Rite Trio member, the great TK Smith.
The flip-side, Lucky’s Lullaby, would later appear in an updated version called “Rhapsody In Violet” on the Fly-Rite Boys solo album “Big Sandy presents…”

Fred “Virgil” Turgis

Sean Mencher

Sean Mencher

Sean Mencher – Sean mencher Plays Guitar

Swelltune Records – SRCD-002
Mystery Train – Saturday Night Shuffle – Sing Me Back Home – Someone To Watch Over Me – The Mensch – Mister Sandman – Comanche Moon – Your New Flame (Is Burning Me) – Stagecoach Comin’ – How High the Moon – Betina – Buckaroo – Hey Good Lookin’ – Sir Swish – Walkin’ the Strings – America the Beautiful

Sean Mencher is well known for being the lead guitarist of High Noon, the Rockabilly trio. With his style, a mix of Merle Travis and Scotty Moore with some jazz thrown in for good measure, and with his sure taste he gained a well deserved reputation on the scene. He also played with Wayne Hancock and Dig Wayne (Buzz and the Flyers) and with his deep knowledge of Rockabilly and other related genres, he also produced bands like Croonin’ Kurt, the Gin Palace Jesters, the Starline Rhythm Boys and the Twilite Ranchers. And of course he recorded a couple of records under his own name (see below).
His new album, recorded for Swelltune records, is an instrumental one, featuring just Sean and his guitar. No effects, no tricks, no heavy production… just one man, his guitar, a microphone, his fingers and most of all, his soul.
I don’t play guitar so don’t expect me to tell you things like “Oh that E9b5 chord is amazing”. I can’t and if I could I wouldn’t. It would miss the point. Of course I bet that guitar players will freak out when they hear Sean’s skills, but the beauty of the thing is that regular guys like me will also enjoy it because this music speaks directly to your heart.
The songs come from guitar greats like Merle Travis (of course), Chet Atkins, Les Paul as well as Junior Parker, Hank Williams, Buck Owens and some jazz standard like Someone to Watch Over Me. I particularly enjoyed this one on which his guitar softly sings, almost like a lullaby.
Also included are four Mencher’s original like Comanche Moon (previously released on a solo single and also with High Noon), Your new Flame, Betina and Sir Wish.
A truly great and sensitive album.


Sean Mencher
Sean Mencher

Sean Mencher – self titled

Goofin Records GRCD6136
Rock Rock Jump And Jive – Settin’ The Woods On Fire – Right Or Wrong – Crying The Blues Over You – Bayou Beauty – All The Time – Tummat Silmät (Dark Eyes) – Don’t Big Shot Me – Hot Rod Man – Vamos A La Playa – Down The Line – Little Baby Doll – Honky Tonk Gal – Hit Git And Split
After two singles – one on Deke Dickerson’s Eccofonic and one on Goofin, it’s good to finally see a long player from High Noon’s ace guitar player : Sean Mencher. It’s a solid rockin’ album mainly made of classic covers which is a bit odd when you know Sean’s ability to write songs. This album sounds like Mencher wanted to play every genre he likes and sometimes mixing them together. You’ve got plenty of rockabilly of course (Rock’n’Roll Jump And Jive, Hot Rod Man, Go Cat Go’s Little Baby Doll) with Zach Ovingtons’ fiddle giving an original and nice country flavour. Some other songs are plain country like Hank Williams’ Settin The Wood On Fire or jazz / western swing Right Or Wrong, one of the highlight of this album, with a great swingin’ fiddle and as usual Sean guitar play is superb. You’ll also find a beautiful blues, Bill Neely’s “Crying The Blues Over You”, with just Sean’s fingerpicking and a harmonica. Mencher’s self penned “Bayou Beauty”, previously played by Ronnie Dawson and High Noon, is done this time with a full Cajun instrumentation with accordion, triangle and Matthew Doucet a native of South Louisiana on fiddle. A trumpet player is present on Link Davis’ Dong Big Shot Me, a not so different from the original version that suits Mencher’s vocal very well and also on the Mexican flavoured “Vamos A La Playa” provided by ex-Asylum Street Spankers Josh Arnson. The musicians show their skills on their interpretation of the classic instrumental Dark Eyes which sounds like a mix between jazz and rockabilly. This very good and versatile album shows all of Sean Mencher’s influences and is a pleasure from start to finish.
Fred “Virgil” Turgis


Sean MencherSean Mencher

Ecco-Fonic EF1007 [1996]
Jumpin’ Track – Your New Flame (Is Burnin’ Me)

Once again Mencher nails it with two brilliant instrumentals recorded in Maine.
Side one features a band (Cartwright Thompson on rhythm guitar, Lesie Freda on string bass and Mark Cousins on drums) and is a rocka-boogie that comes complete with train sounds while the flip side sees Sean going solo for a Travis thumb-picking rendition of High Noon’s Your New Flame.

Fred “Virgil” Turgis


sean mencherSean Mencher and his Rockin’ Guitar

Goofin Records GOOFY554 [1995]
When You Smile/Comanche Moon

Side one is a superb rock’n’roll song, highly melodic. Side Two allows Mencher to show all his skills on guitar with a amazing instrumental with Travis and Atkins influences.
Must have single.

Fred “Virgil” Turgis

Read our interview with Sean Mencher here.