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Krewmen (the)

The Krewmen

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The Krewmen – Ramblin’ / I’m Gonna Get It

the krewmen

Lost Moment LM024
The Krewmen were one of the best band to emerge from the british rockabilly scene of the mid-eighties along with Red Hot’n’Blue, The Riverside Trio and The Blue Rhythm Boys to name but a few. The band was formed by bassist Tony McMillan in 1982, first as a rockabilly combo. After a few changes, the Krewmen found its best line-up with : Tony McMillan on bass, Jimmy Faye on drums and a young Carl Sonny Leyland on guitar, harmonica, piano and vocals. Together they pushed the band toward a more bluesy sound. Ramblin’ is a great “delta-blues meets Chicago blues” stuff. The electricity is here but you still have a big country flavour. This tune shows what a great slide guitarist is Carl Leyland, too bad he doesn’t play it anymore. The b-side, “I’m gonna get it” is a Jazz Gillum song. Listening to this version shows that the Krewmen were more than a “cover band”. They play this song and make it their own. The song, the voice and the harp are clearly bluesy, but the way McMillan slaps his bass and the scorchy guitar look toward rockabilly. Let’s call it rockabilly blues.The band recorded an EP and this single with this line-up, both on lost moment. Then they disbanded and soon after Tony McMillan came back, this time on guitar, with a new version of the Krewmen. Carl Leyland and Judge Faye were no longer here and the sound of the day was “modern rockabilly” to soon evolve into psychobilly. Carl Leyland later moved to the USA and became the famous piano player we know and Fahy joined Get Smart . The “original” Krewmen were an amazing band and it’s really sad they didn’t last long enough to release a full length album but Lost Moment re-released this legendary recordings on a CD called “Klassic Tracks From 1985!” (LMCD054) and you can find some other Krewmen recordings on Carl Sonny Leyland’s album “I Like Boogie Woogie” (On The Hill OTHRCD 001). Look for them, they definititely worth it.
Fred “Virgil” Turgis

Early Krewmen with Carl Sonny Leyland
Early Krewmen with Carl Sonny Leyland
The Krewmen - Into the Tomb
The Krewmen – Into the Tomb

The Krewmen – Into the Tomb

Lost Moment Records ‎– LMLP 014 [1987]
Let Loose – Should I Stay or Go – Devil’s Daughter – Public Enemy Number One – Hava Nagila – Curse of the Pharaohs – Solid Gold Easy Action – Hostage – I’m Not Dead – Swamp Club Ball

Third and last release with the classic Psychobilly line-up of the Krewmen (Tony Mc Millan on guitar, Mark Cole on vocals, Dominic Parr on drums and Jason Thornton on double bass).
The sound hardens a bit compared to the Adventure and Sweet Dreams with a fast paced cover of the Clash’s Should I Stay or Should I Go (a song that was heavily covered by Psychobilly bands at one point). Other covers are T-Rex Solid Gold Action and a Dick Dale inspired version of the traditionnal Hava Naguila.
All in all it’s a solid album, though maybe a little less essential than the first two albums.


The Krewmen - Plague of the dead
The Krewmen – Plague of the dead

The Krewmen – Plague of the Dead

Lost Moment [1988] – Reissue Part Records – PART-CD 6114-001 [2014]
Plague of the Dead – I’m Not Your Stepping Stone – Scream of the Banshees – Jeanie Jeanie Jeanie – What’s Wrong – I Can’t Stop – Take a Little More – The Clock – Legend of the Piper – Do You Wanna Touch – Beat the Devil – My Generation

One can distinct three main periods in the history of the Krewmen. The first one was the Rockabilly-blues years that saw the release of two singles with Carl Sonny Leyland. Next they changed their style to psychobilly with Mark Cole on vocals and the recordings of three classic psychobilly albums (the Adventure of, Sweet Dreams and Into the Tomb). Cole eventually left in 1987 and Tony McMillan, then guitar player took over the vocal duties and came with a new line-up including Steve Piper on drums and a Mark Burke.
The sound changed with the line-up too, getting harder and including different elements than Psychobilly and Rockabilly like metal, punk rock, glam rock. “Plague Of The Dead” combines all those influences. The choice of the covers reveals this orientation and McMillan’s varied tastes. From Eddie Cochran’s Jeanie, Jeanie, Jeanie to Gary Glitter’s Do You Wanna Touch via The Who’s My Generation and Steppin’ Stone (Paul Revere, The Monkees but also covered by The Sex Pistols). Tony quotes classic rockers like Chuck Berry and Elvis for influence but he also adds Alice Cooper, The Rolling Stones, Led Zeppelin, Jimmi Hendrix and Sex Pistols to the list.
It wasn’t easy to follow Cole and their first three albums, but McMillan succeeds to renew the band and “Plague Of The Dead” contains some very good moments like “Legend Of The Piper”, “Take A Little More” and the previously mentioned covers. It’s  also quite refreshing to see a band that doesn’t care about boundaries.
So once again it’s agood job from Part Record to reissue this album (with interesting booklet that contains press clips). Hopefully they’ll release the rest of the band’s discography in the near future. One can only regret the label didn’t include the non-album b-sides released at the same time as bonus.


The Krewmen - Power
The Krewmen – Power

The Krewmen – Power

Lost Moment LMLP 021 [1990]
Devils Lair – Miranda – Undead – The Rats – Anymore – Stone – Get Lost – 2 Souls – Knight Moves – Back To The Ball

Little by little, fans of the Krewmen saw them adding more and more hard core elements to their music and slowly drop the rockabilly idiom out of their sound. This musical position culminates with Power, which is plain hard-roce with heavy and distorted guitars, hard pounding drums with breaks, raspy voice and powerful slap bass. Some elements are even strictly heavy metal / hard rock with tatseless guitar like Knight Moves.
It’s still very well produced and play and features ecellent tunes like Back to the Ball a follow up to Swamp Club Ball from Into the Tomb, but far from the traditionnal psychobilly sound of the three albums released with Mark Cole.

Fred “Virgil” Turgis

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