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Rockabilly - Page 30

An interview with Cavan Grogan

Cavan Grogan
Cavan Grogan still crazy after all these years with the great Rhythm Rockers

An interview with Cavan Grogan (Crazy Cavan & the Rhythm Rockers)

Crazy Cavan & the Rhythm Rockers are the longest rockabilly band in activity with a line-up almost unchanged. They made the link between the pioneers of the 50’s and the rockabilly revival of the 80’s, and when bands were happy to play covers, they came with a set of solid originals and never stop writing classic after classic. What Rockabilly fan have never heard of Sadie, Teddy Boy Boogie, Are You Still Crazy, My Little Sister, Rockabilly Rules OK, The Rockin’ Alcoholic, Hey Teenager?
Crazy Cavan & the Rhythm Rockers always give themsleves at 100% on stage and I’m ready to bet my collection that they never refuse a picture with a fan.
For all this things, and for the rest you have in store, Cavan, Lyndon, Terry, Mike and Graham (without forgetting Vance and Don), thanks a lot!

Fred “Virgil” Turgis
Proud fan club member #76
(this interview with Cavan Grogan was conducted when the band was celebrated its 40 years of activity)

Crazy Cavan & the Rhythm Rockers will soon celebrate its 40th birthday. What are your feelings?
Could you imagine it would last that long when you started?
Cavan Grogan 40 Year’s no way man, I don’t think we even thought about how long the band might last.We were just having fun, and trying to keep rock’n’roll alive.
But we knew we’d always be rock’n’roll fans.

Did you see an evolution of the rockin’ scene during these years?
Cavan Grogan Oh yes we saw the rockabilly thing coming and a lot of fans of the music started to look back at the roots, Swing even came into the rock’n’roll scene for a while, Like Louis Jordan, Louis Prima ect. Also hillbilly and blues. A lot of young bands started up across Europe which led to today’s scene.

The line up of Crazy Cavan & the Rhythm Rockers has remained extremely steady across the years, which is very rare…
Cavan Grogan Yeah we just can’t hold bass player’s they keep going then coming back for more.

Crazy Cavan and the Rhythm Rockers
Crazy Cavan and the Rhythm Rockers in the 70’s

From the beginning you wrote your own songs and proved that rock’n’roll was a living thing. Was it hard to impose new songs to the audience ?
Cavan Grogan Well we like doing some of the old song’s, But we like to do them our way. But we al way’s felt new original material is what would keep the ball rolling and attract new , maybe younger fan’s into the scene. We had no trouble getting our song’s over because when we started nobody had heard of most of the 50’s rockabilly we were playing anyway.

How do you choose the covers that you play?
Cavan Grogan First off, I have to like the song, Then we have to mould it into the bands style. We never pick song’s because they’re popular, and we try to avoid songs the other bands are playing. Although if they become popular by us, most bands start doing them any how like, Old Black Joe, Creek Goes Dry etc.

What was the music you grew up listening to, before you were old enough to choose music by yourself? What was the music in your house and did your family had an importance in the music you listened to and later played?
Cavan Grogan I think I always choose the music I liked even as a kid I twiddled with the radio and listened to music on the fair grounds. My father yo used to sing some great old Irish songs with wonderful lyrics.

What was the first rock’n’roll/rockabilly record you’ve heard?
Cavan Grogan When I was a kid I lived in a town called Claremorrris in County Mayo in the west of Ireland. The music there was mostly country or traditional Irish. But you had the fair grounds the radio, and the cinema. I remember hearing Bill Haley quite often, But what really knocked me out , Was when I saw the film Lovin You with Elvis in the amazing scenes like lonesome cowboy with the spotlight. Got a lot of livin to do, with his scruffy denims, and i couldn’t stop singing let’s have a party. !! I wasn’t to see this movie again for about 20 years. But i never forgot those scenes. And have never seen anything to beat them to this day. I’m sure that was the day I decided to be a singer. (On their latest album, Cavan wrote a song called Groovy At The Movie about this memories)

What did appeal to you in Rockabilly?
Cavan Grogan Rockabilly to me is a rock’n’roll stripped down to it’s bare essentials. The appeal is like skiffle. You feel if you can hold a good steady beat play a few chords, It’s open for anyone to have a go. Although in the reality it’s far more complicated then that. I loved that ol slap bass, and the echo’s vocal’s ‘n’ hiccups yeah man!!

One can safely say you didn’t feel very concerned by the music of your generation?
Cavan Grogan Yes I had no interest in the music of my generation, Rock’n’roll to me was the big explosion. My interest was to look back on what caused this, not to follow a bit of sharpnal that flew off into space from it.

Crazy Cavan and the Rhythm Rockers: Don Kinsella (bass), Terry Walley (guitar), Lyndon Needs (guitar), Mike Coffey (drums) and Cavan Grogan (vocals).
Crazy Cavan and the Rhythm Rockers: Don Kinsella (bass), Terry Walley (guitar), Lyndon Needs (guitar), Mike Coffey (drums) and Cavan Grogan (vocals).

There’s always been a huge dose of country music in your songs. Was it easy to find this stuff in the UK?
Cavan Grogan Yeah it was fairly easy i think Hank William’s was the first one i took to.

Did you see onstage or hear on record a band that impressed you recently?
Cavan Grogan Yes I often see bands that impress me. I like bands who don’t copy who try to do things their own way. And put all there energy into putting it over

What is the album you’re never tired of listening to?
Cavan Grogan Gotta be Carl Perkins Dance album or maybe Elvis Rock’n’Roll No2. And now thinking about it there are quite a few actually.

Just by curiosity, what is the last record you bought?
Cavan Grogan I recently found a copy of Nellie Lutcher singing Fine Brown Frame on a 78, Doe’s that count ?

It sure does, one last word?
Cavan Grogan LET”S FUCKIN ROCK !!!

Lee Rocker

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Lee Rocker - Night Train to Memphis
Lee Rocker – Night Train to Memphis

Lee Rocker – Night Train to Memphis

Upright records [2012]
Rockabilly Boogie – Night Train To Memphis – Slap The Bass – Twenty Flight Rock – Wild Child – Honey Don’t – That’s Alright Mama-Blue Moon – Tear In My Beer – Lonesome Tears – Built For Speed – So Sad – All I Have To Do Is Dream

Covers albums usually don’t thrill me, that’s the reason why I didn’t expect much from this one. But Lee Rocker’s latest effort. was a surprinsingly good surprise. First he has the good idea to keep it short : twelve tracks like in the good old days of vinyls. Rock’n’roll albums are not supposed to be long. Then he manages to stay true to these classics and make them his own in the same time. With the help of his sister on some backing vocals, a great band (Buzz Campbell, Brophy Dale and Jimmy Sage),  innovative arrangements and an instrumation that goes beyond the drums/double bass/guitar format, like a dobro or a banjo on the Stray Cats’ Built For Speed, he gives to songs that you’ve heard a thousand times a totally new approach and manages to make them sound fresh again.
Vocally, Rocker’s is on top form and especially shines on the more country tinged tunes, like Hank Williams’ Tear In My Bear. The surprise, but that’s a good surprise, also comes from softer tunes like Buddy Holly’s Lonesome Tears and the Everly’s So Sad and All I Have to Do is Dream.
And when he rocks he takes no prisonners like on the Burnette’s Rockabilly Boogie. The sole self penned tune is Slap That Bass. As the title indicates its a slap bass driven rockabilly number with jazzy guitar licks.
There’s no mistakes, although the credits read Lee Rocker on just one track, this album is 100% his own.


Lee Rocker - Hot'n'Greasy Vol.1
Lee Rocker – Hot’n’Greasy Vol.1

Lee Rocker – Hot’n’Greasy Rockabilly Vol.1

[2012]
Rebel – Crazy When She Drinks – Black Cat Bone – Say When – Texarkana To Panama City – . Stray Cat Strut – I’ll Cry Instead – One More Shot – Blue Suede Night

A collection of live songs recorded at concerts and radio broadcast . The sound is very good, the performance perfect and the setlist perfect with songs taken from Bulletproof, Black Cat Bone and Racin the Devil and a cover of Stray Cats Strut. Nice addition to your collection. According to Rocker there’ll be two more volume released in the forthcoming months.


Kee Rocker - Cat Tracks
Kee Rocker – Cat Tracks

Lee Rocker – Cat Tracks

Stray Cat Strut, Rock This Town, Runaway Boys, Sexy & 17  [2012]
Digital only

The title says it all. Four of the best and most successful Stray Cats songs re-recorded by Lee Rocker and his band. They perfectly manage to recreate the sound of the Stray Cats early albums. I don’t know if Rocker plans to record more Stray Cats songs in the future but being a far better singer today than he was at the time,  it’d be good to hear him re-cut “She’ll Stay Just One More Day” and “Drink That Bottle Down” .

Fred “Virgil” Turgis


Lew Phillips

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Lew Phillips - s/t
Lew Phillips – s/t

Lew Phillips – s/t

Rhythm Bomb – RBR 5782
Fallin’ In Love Is Easy – Marie-Lou -Laurie-Anne -Be My Baby – Tell Me Why – In The Night -Your Love -Hey Baby -My Little Woman -You’re The One -On My Way -Love Makes Me Feel Blue -What Have You Done -Rock With Me Baby -Mister Colter

Lew Phillips is a young rocker from Canada. After one ep and one single on Wild Records, Rhythm Bomb presents his debut album with 15 self-penned songs. Beside singing lead, Phillips also plays lead and acoustic guitar. The other musicians are Dominic Simard and Eddy Blake Eaton on bass and Michel Dagenais (Howlin’ Hound Dogs) who plays drums, bass, piano, organ. He is also credited for producing, recording and mixing the record.
Phillips has a good voice and obviously Buddy Holly had a major influence on his musical development (and probably still have). One can find and hear the same inflections and hiccups in his voice. The songs are in adequation with the voice and often sound like some Holly’s long lost recordings. Other influences that can be heard are Ritchie Valens, notably on the ballad Laurie Anne and a bit of Little Richard on Rock With Me Baby. Dagenais’s production is perfect and give to the LP a true and real 50’s sound.
Despite the fact that some of the orginals sounds VERY much like Buddy Holly  (Tell Me Why that is quite close to Tell Me How and In The Night being just a mix between Take Your Time and Well All Right) it’s a very good album. Good to hear new artists like Phillips or his label mate Ricky Fabian, who concentrate on the melodies.

Fred “Virgil” Turgis

Pat Cupp – Long Gone Daddy – Complete 50’s recordings

patcuppmusic_smallEl Toro Records ETCD1019
That Girl of Mine (demo) – I Guess It’s Mean That Way (demo) – Baby Come Back (demo) – Do Me No Wrong (RPM 461) – Baby Come Back (RPM 461) – Long Gone Daddy (RPM 473) – To Be The One (RPM 473) – Long Gone Daddy (Crown CLP 5364) – Do Me No Wrong (Crown CLP 5364) – Baby Come Back (Crown CLP 5364) – That Girl of Mine (Crown CLP 5364) – I Guess It’s Meant That Way (Crown CLP 5364) – Baby Come Back (Rollin’ Rock 45-002) – Do Me No Wrong (Rollin’ Rock 45-002) – Long Gone Daddy (Rollin’ Rock 45-003) – That Girl of Mine (Rollin’ Rock 45-003) – I Guess It’s Meant That Way (Rollin’ Rock 45-009) – I Won’t Remember To Cry (Rollin’ Rock 45-009)

Pat Cupp’s fifties recordings stand as some of the finest rockabilly ever made. His legacy may be modest in term of quantity (18 cuts for only 7 different songs) but the quality equals the likes of Carl Perkins and Mac Curtis (to name two that pop in my mind). Songs 1 to 3 are demos recorded at the Onyx studio in Memphis in January 1956 to get interest from Sam Phillips. Had he only recorded these demos, his place in the rockabilly pantheon would have been assured.  Powerfull rhythmic, hiccupy voice, mean guitar… all the ingredients are here to satisfy the most exigeant rockabilly fan. But more was to come. Cupp and his band (the Flying Saucers) secured a contract with Joe Bihari from Modern Records. The result is the session of May 13 1956 that saw the release of two singles, RPM 461 (Do Me No Wrong/Baby Come Back) and RPM 473 (Long Gone Daddy/To Be The One). The fact that Modern/RPM was more R & B oriented shows on this recording. A tamer rock’n’roll sound was favored, like the sax version of  “Long Gone Daddy”  (recorded with session musicians) or “To be The One“, written by Pat’s sister Ruth,  with doo woop backing vocals. Despite the high quality of these recording, the true genius of Pat cupp lies in his rejected blistering rockabilly version of this songs recorded that same day (10 in total). They later resurfaced on Crown and another batch in the 70’s on Rollin’ rock. I guess I’ll soon run out of superlative, but if someone asked me what rockabilly is, Pat Cupp’s complete 50’s recording would be one of the records I’d play to help him understand.
Fred “Virgil” Turgis

Sidewynders (the)

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the Sidewynders - let's go sparkin' with...
the Sidewynders – let’s go sparkin’ with…

The Sidewynders – Let’s Go Sparkin’ With…

Rhythm Bomb – RBR5788 – 2014
Lyin’ Baby – Heart In A Daze – Salty Dog Blues – Fancy Free – No Shame – Knock On Wood – Mad At You – Dry Run – Closer & Closer – Every Girl’s Heart – The Blues Don’t Care – She’s Got It Made – She’s Alright With Me

Rhythm Bomb launched its Los Angeles branch with two releases that will be hard to top: the Frantic Rockers and this album, Let’s Go Sparkin’ with the Sidewynders.
The line-up remained unchanged since their debut album except for the addition of Brian “Shorty” Poole of Dave’n’Deke Combo fame on steel and double bass. The band rips through a 13-song-half-an-hour set of mostly originals ranging from Sun inspired Rockabilly to hillbilly bop with fine harmonies and a bit of western swing in between with superb interplay between Ramon Espinoza on guitar and Poole on steel. Cervantes sings with his heart (and a bit of his guts too)  while Carlos Velazquez provides a solid beat but not too heavy.  Danny Angulo (Rip Carson, Omar) guest on three tracks on second and baritone guitar.
Perfectly recorded by Poole and Wally Hersom for two songs it’s a killer from start to finish!

Fred ‘Virgil’ Turgis

The Speedos

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the Speedos - It's Only Rock'n'roll
the Speedos – It’s Only Rock’n’roll

The Speedos – It’s Only Rock’n’Roll

PART 647.001 [2010]
Ghostriders ~ Believe me ~ Remember then ~ From the bottom of my heart ~ Sandy ~ You’re driving me crazy ~ Cotton fields ~ I’m not a juvenile delinquent ~ A Zippe Di Zoom ~ Fly me to the moon ~ Come go with me ~ Lovely night ~ Rag Mop ~ I just want to know ~ Sh’Boom ~ West Virginia (Country Roads) ~ The Diary

Part has the good idea to reissue the Speedos catalog. First released in 1989, It’s Only Rock’n’roll was until this reissue only available on vinyl and I suppose long out of print.
This quartet could be described as the German cousins of the British Keytones.
They play doo-wop harmonies with a bit of jive on a rockabilly background. There’s even some hillbilly with their uptempo cover of Cotton Fields.
Like numerous debut album, it’s not flawless, but the few minor imperfections are well compensated by the freshness of their approach.
The repertoire goes from Frankie Lymon (I’m Not A Juvenile Delinquent) to the Del-Vikings (Come Go With Me) or Frank Sinatra (Fly Me To The Moon) with a couple of originals too written by lead singer/guitarist Olaf Prinz. On a couple of songs the line-up (guitar / doublebass / drums / saxophone) is augmented by Götz Alsmann on piano for a fuller sound.
As an added bonus,the band’s debut ep from 1987 – featuring a self penned song (I Just Want To Know) and three covers: Sh-Boom, John Denver’s Take Me Home Country Roads and a rockabilly-doo-wop rendition of Neil Sedaka’s The Diary – is included. Recommended.


 

the Speedos - A Dreamin' Life
the Speedos – A Dreamin’ Life

The Speedos – A Dreamin’ Life

King Hat [1992] – reissue Part [2010]
I call it bop – Duke of earl – Jungle book – I adore you – Quiet whiskey – Believe me – A dreamin´life – Dance town – Caledonia – Blackboard jungle – Forever – Hey you

A Dreamin’ Life is the band’s second album, and to get to the point, their best. It takes more or less the same ingredients than their debut but both the sound and the band are better.
It kicks off with “I Call It Bop” that wouldn’t be out of place on the Stargazers’ debut album. Next is the accapella doo-wop “Duke Of Earl” with top vocals and harmonies. They also do great justice to Louis Prima’s Jungle Book. “I Adore You” is a sweet ballad with a bluesy edge. The pace changes with Wynonie Harris’ Quiet Whiskey, a solid jiver also treated in a Stargazers style. Believe Me features Gotz Allssman and is a re-recording of a song from their first album in a more accomplished version. The title track is a soft rockabilly. “Caldonia” is the sole weak point of the album, but it’s quickly forgotten with Blackboard Jungle a great rock’n’roll. “Forever” is another great moment in the Keytones style while Hey You concludes the album on an uptempo note.

Fred “Virgil” Turgis

speedos
The Speedos – Olaf Prinz, Bernd Eltze, Volker Naves & Frank Johland
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