Rockabilly, Psychobilly and everything in between.

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Les Curtis

Darrel Higham

in Reviews

Darrel Higham – Mobile Corrosion

Nervous Records NERCD082 [1995]
Like A Brand New Man – If You Can Live With It – Long Lonely Road – Deep In The Heart Of Texas – I Like Me Just Fine – Second Hand Information – In My Heart – No One Will Grieve – Revenue Man – Country Lila Rhue – You Were Right, I Was Rong – I’ve Been Gone A Long Time – Don’t Bug Me Baby – Amanda’s Song – Travis Pickin’ – Life Goes On – Rockin’ Band Blues

Recorded in 1995 for Nervous Records with Rusti Steel (lap steel), Les Curtis (drums), Mick Wigfall (bass), and Dave Brown (piano), Mobile Corrosion is one of Higham’s most country-tinged albums.
Like A Brand New Man is a perfect opener, sounding like a cross between Johnny Horton’s Honky Tonk Hardwood Floor and Berry’s Promised Land. If You Can Live Without It is a country ballad yet muscled up by the slap bass and features nice guitar picking.
Long Lonely Road is a Rock’n’roll tune on which Darrel’s Cochran inspired vocal makes wonder. Geraint Watkins’ Deep In the Heart Of Texas is an excellent country drive with a powerful drive. The following track, I Like Me Just Fine, is way heavier, with mean guitar and powerful vocal. Back to traditional Rockabilly, with a hillbilly touch, with Gentleman Jim’s Second Hand Information. Every good Rock’n’Roll album should feature a slow number. Good news, you have two on this album, In My Heart and Amanda’s Song, and one more time, Higham’s voice, not far from Cochran on Lonely Street here, is perfect.
No One Will Grieve is a modern Rocker with a solid bass part. Revenue Man is a cover of George Jones tune, Country Lila Rhue is more on the hillbilly bop vein, while You Were Right, I Was Wrong is a Rockabilly ballad.
I’ve Been Gone Too Long is a mean Country-rock, and you could easily imagine Sonny George singing it. Though Milton Allen did the original of Don’t Bug Me Baby in 1957, Higham’s version comes from the cover made by Shakin Stevens in 1981. It’s instrumental time with Travis Pickin’. No surprise, all is in the title. Life Goes On shows the influence of Gene Vincent, which means brushed snare drums and plenty of jazz influences in the guitar. Rockin’ Band Blues is a Cochran pastiche. Nothing really original but a good song nonetheless.


Darrel Higham & the Barnshakers – Pretty Little Devil

darrel higham

Goofin Records GOOFY 570 [1997]
Sweethearts Or Strangers – Don’t Be Gone Long – Pretty Little Devil – Flattin’ & Thumbin’

Darrel Higham recorded this ep in 1997 with the ever-excellent Barnshakers from Finland. That was not the first collabration between the British guitar picker and the Finnish Rockabilly band. Both recorded a full album together in 1993. Sometimes when two talented artists or bands join forces, the result doesn’t keep up with the expectations (I have a few example that I’ll keep for myself.) That was not the case here, this four-track ep is excellent.
Side one kicks off with a cover of the old classic “Sweethearts or Strangers”. Higham’s vocals and guitar give it a strong Eddie Cochran feel, and Lester Peabody’s steel guitar nicely enhances it. Next is a cover of Bod Doss’ “Don’t Be Long Gone.” Like the original, it’s jet-propelled by a solid slap bass intro.
Vesa Haaja, the singer of the Barnshakers, joins forces to sing harmonies for the Everly sounding Pretty Little Devil, recorded initially by Bob Denton and Eddie Cochran.
The last track is a guitar duet between Higham and Peabody/Jussi Huhtakangas. Well, the title says it all. It’s a gentle battle between these two great pickers. One can only regret that Deke Dickerson wasn’t there at the time of the recording.
There are still a few copies left on Goofin Records.
Fred “Virgil” Turgis

Bamboozle

in Reviews

Bamboozle – Retrograde

Bamboozle

Jimena records – RIGHT339 [2019]
Five past ten – the Lowdown – Rockin’ Man – Heebie Jeebies – Ice Cold Beer – Just Like You – Toxic Nightmare – Daddy’s Girl – Fever – Mayhem

Bamboozle came to my attention with their cracking cover of Nick Cave’s Red Right Hand. I put the band’s name in one corner of my mind and, to my great shame, I must say it stayed here for a while until I received “Retrograde” their debut album.
I was like “oh yeah I remember, the band that plays that Nick Cave’s cover” when I put the cd in the player. One minute later, I was hooked, and by the end of the last song, I was blown away.
First, let me introduce the band. On drums a well-known figure on the rocking scene: Les Curtis. Les played with Solid Smoke, Bob & the Bearcats, Mouse Zinn, Kid Rocker, etc. Also another familiar name, mister Jim Knowler of the Keytones (he also played with the Stargazers) on guitar. And last, but certainly not least, Serena Sykes aka the bass pixie, on double bass, vocals, writing, and production.
This trio forms the core of the band, but this album also features Keith Wilkinson on acoustic guitar and Peter Clifford on piano.
Five past ten is the perfect opener and describes precisely the sound of Bamboozle: fifties influenced music with a modern edge. While Curtis keeps the beat and Knowler flies on the fretboard, Sykes proves you can be a girl who sings Rockabilly without ending all your verses with a growl.
Sung by Knowler with harmonies by Wilkinson the Lowdown is part Buddy Holly, part Dave Edmunds, and 100% killer!
Sykes’ Rockin’ Man hardens the sound with a menacing riff bordering on Psychobilly. Out of sudden, Knowler jumps into a hot solo that is sure to please fans of Mark Harman and John O’Malley. Heebie Jeebies is not a cover but another Sykes original that she sings with grace. A jazz tune that swings as hell with superb backing vocals. This song is the occasion to salute the brilliant production work. And not only Retrograde is well recorded, but it’s also perfectly mixed.
Knowler returns on lead vocals with two songs. The hillbilly tinged Ice Cold Beer and Just Like You a Doo-Wop-a-Billy that wouldn’t be out of place on any of the Keytones albums.
The following two songs show the vocal range and how equally at ease at singing and writing any rocking style. Toxic Nightmare has a bit of Surf/Walk Don’t Run flair to it while Daddy’s Girl is one hell of a Rockabilly song.
The last two songs are covers from Little Willie John (Fever) and Imelda May (Mayhem.) On the paper, these choices first let me perplex. I’m not the biggest fan of Miss May, and I thought, “Does the world really need another cover of Fever?” But once again Bamboozle won over me. They took a fresh and brand new approach on Fever and Mayhem, full of energy, let me wanting for more which is the perfect way to finish a Rock’n’roll album.
Without a doubt, the band worked hard to produce such a good record. Now it’s your turn to work, buy it (https://www.bamboozlehq.co.uk/) and support Bamboozle live!

Fred “Virgil” Turgis

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