Rockabilly - Page 4

Long Tall Texans

Long Tall Texans - Ballroom Blitz
Long Tall Texans – Ballroom Blitz

Long Tall Texans – Ballroom Blitz

Crazy Love
Indians – Right First Time – Ballroom Blitz [Metal Mix] – Texas Beat – Non Stop Loving – 900 Miles – Rockin’ Crazy – One More Time – Shot Dead – Ballroom Blitz [Alternate Take] – Get Up and Go

Ballroom Blitz is a rarities album featuring rare and unissued stuff from the Long Tall Texans’ early years.
The first four tracks date from 1986 and were scheduled to be released on Northwood but the label folded before the ep materialized. The song were later re-recorded on albums with the
exception, correct me if I’m wrong, of Ballroom Blitz that only appeared on their live album.
The remaining tracks were recorded in 1985 with the band’s first line-up featuring Bill Clifford on drums instead of Theo. It’s very interesting to compare with the later studio version and hear a band in mutation. It’s still classic rockabilly/neo-rockabilly but here and there appear elements of what would become their trademark sound.


Long Tall Texans - Sodbusters
Long Tall Texans – Sodbusters

Long Tall Texans – Sodbusters

Razor Records – RAZ 23 [1987]
Poison – My Babe – Get Up & Go – Rockin’ Crazy – Texas Boogie – Long Tall Texans – Paradise – My Idea Of heaven – Mad About You – Wreckin’ Me – Dance Of the Head Hunters – Endless Sleep

Formed in the mid 80’s, the Long Tall Texans released “Sodbusters” their debut album in 1987. The core of this album is mainly made of modern rockabilly with fast slap bass that became the trademark of the band (Poison, Rockin’ Crazy, Long Tall Texans). Some other songs border on psychobilly like Paradise and Get Up and Go. There’s also a strong blues influence with Little Walter’s My Babe that receives a superb rockin’ blues treatment or the jump blues influenced “Wreckin’ Me” that sounds a bit like Red Hot’n’Blue. There’s even a touch of ska mixed with a blues harp (My Idea Of Heaven) and an interesting mix of Glam rock with Rockabilly (Rock’n’Roll Party/Endless Sleep). Two instrumentals round up the album and prove that these cats are serious musicians.


Long Tall Texans – Saturnalia

Razor Records RAZ 37 [1989]
Anagram CDM PSYCHO 75 [2008]
Get Back, Wetback – Crossing Swords – Don’t I Know It – Fill It Up Tight – Low Down Mean Old Son Of A Gun – Cairo – Shiver Street – Bloody – Mercy – No Tomorrow – Get Back, Wetback (Alamo Mix)* – Get Your Teeth Out Of My Jugular* – Something’s Cooking* – Get Back,Wetback (Live)*
* CD Bonus tracks

Initially released in 1989, Saturnalia saw a little departure from the band’s usual rockin’ sound. With this album, they started to experiment with new sounds and spend more time in the studio.
“Bloody” counts among the highlights of the album. It’s a cover of the Golinsky Brothers, a Brighton combo like the Texans sounds a bit like the Housemartins and could easily have been a hit beyond the limited borders of the rockin’ scene. The same goes for “Get Back Wet Back,” one of the band’s most famous songs. For good reasons, it has written ‘brilliant’ all over it. The cd reissue includes two more versions, a different mix that doesn’t bring anything new and a live take. Another cover, “Cairo,” mixes fast slappin’ bass with mellow ska bits in it.
The cd reissue comes with bonus tracks taken from the b-side of the Get Back Wet Back single and an interesting booklet written by Simon Nott featuring memories (so to speak) from the three band members.


Long Tall Texans - Five beans In The Wheel
Long Tall Texans – Five beans In The Wheel

Long Tall Texans – Five Beans in the Wheel

Razor
Saints And Sinners – Don’t I Know It – You Gotta Lose – Get So Excited – Bloody – Off My Mind – Breakaway – Low Down Mean Old Son Of A Gun – Get Back, Wetback – Heatwave – Indians – Rock’n Roll Pt. 2 – Your Own Way – Right First Time – Long Tall Texan – Everybody’s Rockin – We Say Yeah – Ballroom Blitz – Should I Stay Or Should I Go?

This is probably one the best live recording to come from a Psychobilly band. As the majority of the other live recordings were issued on the poor «Live and Rockin’» serie on the Link label, it’s not that hard. But this one is REALLY good.
Do you know many records while listening to them you can see the smile of the musicians? But being a fun band doesn’t mean they’re not serious with their music. They’re a tight band playing their songs at a frantic pace (Mark Carew is one hell of a slap bass player). The band revisits its back catalog playing classic after classic (Get Back Wet Back, Saints and Sinners, Indians… they’re all here) and a judicious selection of covers (from the glam of Gary Glitter’s Rock’nRoll Part 2 and Sweet’s Ballroom Bitz to Earl Hooker’s You Got To Loose, Jackie Deshannon’s Breakaway and of course The Clash’s Should I Stay...) completes the set (19 songs!). A good starting point to discover this excellent band and must have for the fans.


Long Tall Texans - Singin' To The Moon
Long Tall Texans – Singin’ To The Moon

Long Tall Texans – Singin’ to the Moon

Rage Records 108 / Crazy Love 64242 {1991}
Singing To The Moon ~ Axe To Grind ~ Rock Bottom Blues ~ Suicide At The Seaside ~ Klub Foot Shuffle ~ Smiling Eyes ~ Winding Me Up ~ Alcohol ~ Indian Reservation ~ Nine Days Wonder ~ Reactor ~ Senses Six and Seven ~ Witch Hunting ~ Alabama Song ~ Singing To The Moon.

Originally released in 1991, Singing To The Moon is the band’s last album with Mark Denman (though he’ll keep on writing songs for them). It’s in the wake of Saturnalia and covers a wide range of styles and demonstrated that the Texans weren’t that easy to pigeonhole. Thus, next to classic sounding Long Tall Texans numbers like Axe To The Grind, Senses Six and Seven or Witch Hunting, you find on this platter a ska number not that far from the Clash (Singing To The Moon), a jazzy instrumental with a Shakin’ Pyramids feel (Klub Foot Shuffle), a pop tune (Smilin’ Eye), a rockabilly with a bluesy slide guitar (Nine Days Wonder), heavy rockers (Alcohol and Rock Bottom Line that sounds a bit like Guana Batz on Electra Glide In Blue) and Reactor evokes the Escalators.
The cover range from Berthold Brecht and Kurt Weil to Peter and the Test Tube Babies with John Loudermilk in between. Fine.


Long Tall Texans - Aces & Eights
Long Tall Texans – Aces & Eights

Long Tall Texans – Aces and Eights

CDMPSYCHO16 [1994]
Notice Me ~ Nothing Left But The Bones ~ Sister ~ And I Wish ~ Lip Service ~ Everyday ~ Bloody ~ Don’t Go Back To Rockville ~ Border Radio ~ Tomorrow Today ~ Innocent Look ~ Piece Of Your Love.

If Singing To the Moon announced a new direction for the band, Aces and Eights came as a big surprise and let’s say it a huge deception. There were many reasons for that. First Mark Denman had left the band, though he kept on writing stuff for the band and figured among the guest musicians. The addition of  a sax player to the line-up, omnipresent all along the album, didn’t bring anything to the songs (and to make things worse the player is not Lee Allen if you see what I mean). The songs themselves are far from the usual Texans standards and mostly sound like average pop songs. If you add a clean and cold production you’ll understand that the result is a more than dispensable album.

Fred “Virgil” Turgis

Jimmie Lee Maslon

Jimmie Lee Maslon - My Wildcat Ways
Jimmie Lee Maslon – My Wildcat Ways

Jimmie Lee Maslon – My Wildcat Ways

PART-CD 6109.001 [2014]
Your Wildcat Ways – Hard Hard Man – The Haunt You Baby Rock  – Salacious Rockabilly Cat – All These Things – Please Mr. Dee Jay – The Girl I Left Behind – Please Give Me Something – Rockhouse Dreams – Turn Me Around – Sugar Coated Baby – I’m Gonna Love You Tonight – Hello My Darlin’ – I’m A One-Woman Man – Be Careful – Be Bop Boogie Boy  – Dance To The Bop – I Need Love – Love Me  – Yeh! I’m Movin’ – Long Gone Daddy – The Drag – Bip Bop Boom – A Rockin’ Good Way – Your Wildcat Ways – Please Give Me Something

May the Gods of Rock’n’roll, whoever they are, bless Andy Widder and his label Part-Records for their unflagging work. After Ravenna & the Magnetics, Mac Curtis and Ray Campi, he continues to explore Rollin’ Rock back catalog and reissues the one and only Jimmy Lee Maslon.
Maslon is a one of a kind Rockabilly singer, like a volcano always menacing to erupt, something like Charlie Feathers, Lux Interior and Gene Vincent all rolled into one. Feathers for he shares the same Rockabilly integrity and no nonsense approach, Lux for the weird aspect he sometimes has and Vincent for the torrid side he can reveal (when he’s not weird). And don’t forget to add some Clarence Frogman Henry for good measure.
Those twenty-six rockabilly jewels recorded in the early 70’s influenced countless of bands all around the world and you won’t find absolutely no fillers here, how many can claim that?
And this beautiful music comes with a rich booklet with liner notes written by Ronnie Weiser, Poison Ivy, Ray Campi, Johnny Legend, Wild Bob Burgos, Rip Masters and Jimmie Lee himself.
Essential to any Rockabilly collection.

Fred “Virgil” Turgis

Ricky Nelson

Ricky Nelson - Ricky rocks
Ricky Nelson – Ricky rocks

Ricky Nelson – Ricky rocks

Bear Family BCD 16856
Shirley Lee ~ Stood Up ~ Be-Bop Baby ~ If You Can’t Rock Me ~ Waitin’ In School ~ Your True Love ~ Boppin’ The Blues ~ My Bucket’s Got A Hole In It ~ Baby I’m Sorry ~ Whole Lotta Shakin’ Goin’ On ~ Am I Blue ~ Believe What You Say ~ There’s Good Rockin Tonight ~ Down The Line ~ I’m Walkin’ ~ My Babe ~ I’m In Love Again ~ There Goes My Baby ~ I Got A Feeling ~ One Of These Mornings ~ You Tear Me Up ~ It’s Late ~ Hey Pretty Baby ~ Don’t Leave Me ~ Just A Little Too Much ~ You’ll Never Know What You’re Missing ~ Mighty Good ~ Milk Cow Blues ~ Stop Sneakin’ Around ~ I’ve Been Thinkin’ ~ Ain’t Nothin’ But Love ~ Travelin’ Man ~ Hello Mary Lou.
With his angel face and soft voice Ricky Nelson has been too hastily pigeonholed as a Teenage Idol. But Ricky, who was a huge fan of Carl Perkins, had a guenine love for Rockabilly. With the help of songwriters like the Burnette brothers and guitar aces like Joe Maphis and the young but talented James Burton he cut a serie of solid rockabilly numbers – maybe on the soft side (sure he wasn’t Charlie Feathers) but none the less Rockabilly. If you only know him from the movie Rio Bravo, the song Teenage idol, the later Garden Party or the country sides from the second part of his career this cd is the occasion to discover the rockin’ side of Ricky Nelson (and I bet that pretty soon you’ll buy the boxed sets).

https://www.bear-family.fr/nelson-ricky-ricky-nelson-ricky-rocks.html

Fred “Virgil” Turgis

Hopped Up!

hopped up!

Hopped Up! – Get Gone

Straight 8 Records – S8-101 [2004]
Get Gone – Rock & Roll Rocket
Hopped Up was a Rockabilly quintet with Scotty Shanks-Bruemmer on vocals, Shawn Burrell on slap bass, Justin Barr and Ralph Rodriguez on guitar and Gary Daly on drums.
A-side is a traditional jumping rockabilly number sung by Scotty who has a pretty good voice. The flip side is more on the frantic side and is sung by Ralph. Both songs are originals.
Good single.

Fred “Virgil” Turgis

Nervous Fellas (the)

Nervous Fellas - Born to be Wild - Nervous
Nervous Fellas – Born to be Wild – Nervous

The Nervous Fellas – Born to be Wild!

Nervous Records NERD056 [1990]
Real Gone Lover – Finally Met My Baby – Jealous Heart – I’ll Be Sorry – Get Outta this Town – Until You Came Home – Mon-Eyed – Born To Be Wild – Gimme Somethin’ Strong – Dateless Night – Evil Ways – Don’t Bug Me

This Vancouver quartet born out of the ashes of the Rockin’ Edsels and once featuring Ronnie Hayward on double bass released this album on Nervous records in 1990. The line-up at this time was Shaun Butch Murphy on Vocals, Mark Weldon on guitar, Pete Turland on doghouse bass and John Decan on drums. This is a very good and varied album, comparable in style to the Paladins, mixing powerful rockabilly (Real Gone Lover, Steppenwolf’s Born To Be Wild), Jumpin’ Rockabilly (Get Outta This Town, Jealous Heart, Until You Come Home, Dateless Night), heavy Blues (Finally Met My Baby, I’ll Be Sorry with tons of slide guitar), and some country tinged stuff (Evil Ways).
Though it’s never been reissued on cd, it’s possible to download it legally on musical platforms via Nervous.

Fred “Virgil” Turgis

Nervous Fellas

The Doel Brothers

Doel BrothersThe Doel Brothers – There’s a bottle on the table

El Toro Records – ETCD7027 [2019]

Bottle On the Table – Beer Bucket Boogie – Thanks A Lot – Baby I’m Ready – Love Letter – Distance Between You And Me – Welcome To My Heart – Just Say You Don’t Know – Jealousy – New England In The Fall – Country Bum – Hole In My Shoe – Viva Las Vegas – How High The Moon

Our favourite hillbillies, the Doel Brothers (Gordon on vocals and rhythm guitar, David on vocals and lead guitar Tom or Curtis on drums with Steve Whitworth on double bass and Phil Morgan on steel guitar) are back and they did it again! Can you believe it, it’s already their fourth album and it seems that each of their album is better than the previous one. I don’t write that lightly, considering that I already placed their debut effort as one of the best contemporary hillbilly platter, able to stand proudly near another of my favourite combo, namely the Dave and Deke Combo.

With five covers and nine originals penned by David and Gordon Doel who also share vocal duties, “There’s a Bottle On the Table” is a hillbilly / rockabilly / western bop rollercoaster from start to finish with top musicianship, solid songwriting and perfect production. It also comes with a superb cover illustrated by Garry Boller which gives you another reason to jump on that little jewel!
The repertoire ranges from straight Rockabilly like Bottle on the Table and Love Letter (the latter having a strong Sun flair) to country boogie with Beer Bucket Boogie, an original that sounds like an unissued Tennessee Ernie Ford tune. Phil Morgan’s steel guitar part with ricochets à la Speedy West adds to this feeling.

Other than those song you’ll find a bit of bluegrass with their cover of Dwight Yoakam’s The Distance Between You and Me with harmony vocals and dobro as well as some western swing influenced stuff (New England In the Fall), shades of Johnny Horton (Welcome to My Heart) and Little Jimmy Dickens (Hole In My Shoe) and lot of plain old hillbilly and Honky Tonk.

The bonus track is a cover of How High the Moon, dedicated to the memory of their dad that would make both Les Paul and Rhubarb Red proud.

Grab your moonshine, take a sip, roll back the rug, put the record in the player and enjoy the sweet sound of the Doel Brothers.

Fred “Virgil” Turgis


The Doel Brothers - Oh Brother... It's The Doel Brothers
The Doel Brothers – Oh Brother… It’s The Doel Brothers

The Doel Brothers – Oh Brother… It’s The Doel Brothers

El Toro {2013}
Educated Mind – Goin’ Away – Kissin’ Bug Boogie – I’ll Do It Everytime – Sure You Won’t – I Need Your Lovin’ – Pick You Up – Whiskey Lovin’ Fool – Nothin’ ’bout Love – Tell Me You’re Mine – Rockin’ Shoes – Hey Baby

The Doel Brothers come from England and are David, Gordon and Tom Doel plus Gary Boller. They previously played with the Western Aces, the Radio Ramblers, the Westernaires so these four guys are not exactly newcommers but this is their first one under this name. And what a record! I hadn’t heard such a good hillbilly tinged platter since the heyday of the Dave and Deke Combo (or at least the Horton Brothers) and that was not a surprise to see that Dave “Pappy” Stuckey wrote the laudatory liner notes.
This record is simply amazing with superb originals (and I mean REAL originals, not old melodies quickly rearranged with new lyrics as it’s too often the case), beautiful harmonies reminiscent of the Farmer Boys or Rusty and Doug and top notch musicianship. There’s also a bit of Tennessee Two in Sure You Won’t (the influence of Cash can also be heard on Rockin’ Shoes) and Rockabilly too (I Need Your Lovin’). The whole set is completed by three excellent cover of Tennessee Ernie Ford, Johnny Horton and Tom James.
Cuzzins, believe me, I strongly advice you to get this record, this is hillbilly bop as it should be played.

Fred “Virgil” Turgis

1 2 3 4 5 6 28