Virgil

An interview with Cavan Grogan

Cavan Grogan
Cavan Grogan still crazy after all these years with the great Rhythm Rockers

An interview with Cavan Grogan (Crazy Cavan & the Rhythm Rockers)

Crazy Cavan & the Rhythm Rockers are the longest rockabilly band in activity with a line-up almost unchanged. They made the link between the pioneers of the 50’s and the rockabilly revival of the 80’s, and when bands were happy to play covers, they came with a set of solid originals and never stop writing classic after classic. What Rockabilly fan have never heard of Sadie, Teddy Boy Boogie, Are You Still Crazy, My Little Sister, Rockabilly Rules OK, The Rockin’ Alcoholic, Hey Teenager?
Crazy Cavan & the Rhythm Rockers always give themsleves at 100% on stage and I’m ready to bet my collection that they never refuse a picture with a fan.
For all this things, and for the rest you have in store, Cavan, Lyndon, Terry, Mike and Graham (without forgetting Vance and Don), thanks a lot!

Fred “Virgil” Turgis
Proud fan club member #76
(this interview with Cavan Grogan was conducted when the band was celebrated its 40 years of activity)

Crazy Cavan & the Rhythm Rockers will soon celebrate its 40th birthday. What are your feelings?
Could you imagine it would last that long when you started?
Cavan Grogan 40 Year’s no way man, I don’t think we even thought about how long the band might last.We were just having fun, and trying to keep rock’n’roll alive.
But we knew we’d always be rock’n’roll fans.

Did you see an evolution of the rockin’ scene during these years?
Cavan Grogan Oh yes we saw the rockabilly thing coming and a lot of fans of the music started to look back at the roots, Swing even came into the rock’n’roll scene for a while, Like Louis Jordan, Louis Prima ect. Also hillbilly and blues. A lot of young bands started up across Europe which led to today’s scene.

The line up of Crazy Cavan & the Rhythm Rockers has remained extremely steady across the years, which is very rare…
Cavan Grogan Yeah we just can’t hold bass player’s they keep going then coming back for more.

Crazy Cavan and the Rhythm Rockers
Crazy Cavan and the Rhythm Rockers in the 70’s

From the beginning you wrote your own songs and proved that rock’n’roll was a living thing. Was it hard to impose new songs to the audience ?
Cavan Grogan Well we like doing some of the old song’s, But we like to do them our way. But we al way’s felt new original material is what would keep the ball rolling and attract new , maybe younger fan’s into the scene. We had no trouble getting our song’s over because when we started nobody had heard of most of the 50’s rockabilly we were playing anyway.

How do you choose the covers that you play?
Cavan Grogan First off, I have to like the song, Then we have to mould it into the bands style. We never pick song’s because they’re popular, and we try to avoid songs the other bands are playing. Although if they become popular by us, most bands start doing them any how like, Old Black Joe, Creek Goes Dry etc.

What was the music you grew up listening to, before you were old enough to choose music by yourself? What was the music in your house and did your family had an importance in the music you listened to and later played?
Cavan Grogan I think I always choose the music I liked even as a kid I twiddled with the radio and listened to music on the fair grounds. My father yo used to sing some great old Irish songs with wonderful lyrics.

What was the first rock’n’roll/rockabilly record you’ve heard?
Cavan Grogan When I was a kid I lived in a town called Claremorrris in County Mayo in the west of Ireland. The music there was mostly country or traditional Irish. But you had the fair grounds the radio, and the cinema. I remember hearing Bill Haley quite often, But what really knocked me out , Was when I saw the film Lovin You with Elvis in the amazing scenes like lonesome cowboy with the spotlight. Got a lot of livin to do, with his scruffy denims, and i couldn’t stop singing let’s have a party. !! I wasn’t to see this movie again for about 20 years. But i never forgot those scenes. And have never seen anything to beat them to this day. I’m sure that was the day I decided to be a singer. (On their latest album, Cavan wrote a song called Groovy At The Movie about this memories)

What did appeal to you in Rockabilly?
Cavan Grogan Rockabilly to me is a rock’n’roll stripped down to it’s bare essentials. The appeal is like skiffle. You feel if you can hold a good steady beat play a few chords, It’s open for anyone to have a go. Although in the reality it’s far more complicated then that. I loved that ol slap bass, and the echo’s vocal’s ‘n’ hiccups yeah man!!

One can safely say you didn’t feel very concerned by the music of your generation?
Cavan Grogan Yes I had no interest in the music of my generation, Rock’n’roll to me was the big explosion. My interest was to look back on what caused this, not to follow a bit of sharpnal that flew off into space from it.

Crazy Cavan and the Rhythm Rockers: Don Kinsella (bass), Terry Walley (guitar), Lyndon Needs (guitar), Mike Coffey (drums) and Cavan Grogan (vocals).
Crazy Cavan and the Rhythm Rockers: Don Kinsella (bass), Terry Walley (guitar), Lyndon Needs (guitar), Mike Coffey (drums) and Cavan Grogan (vocals).

There’s always been a huge dose of country music in your songs. Was it easy to find this stuff in the UK?
Cavan Grogan Yeah it was fairly easy i think Hank William’s was the first one i took to.

Did you see onstage or hear on record a band that impressed you recently?
Cavan Grogan Yes I often see bands that impress me. I like bands who don’t copy who try to do things their own way. And put all there energy into putting it over

What is the album you’re never tired of listening to?
Cavan Grogan Gotta be Carl Perkins Dance album or maybe Elvis Rock’n’Roll No2. And now thinking about it there are quite a few actually.

Just by curiosity, what is the last record you bought?
Cavan Grogan I recently found a copy of Nellie Lutcher singing Fine Brown Frame on a 78, Doe’s that count ?

It sure does, one last word?
Cavan Grogan LET”S FUCKIN ROCK !!!

The Niteshift Trio

niteshift-trioThe Niteshift Trio

Gary Venn started to learn double bass in the early 1980s. His teacher was Boz Boorer from the legendary Polecats (and now Morrissey’s main man). He soon teamed up with a school friend called Steve Lovett on guitar and they started to practice in his mum and dads garage. It all seemed to fall into place and they quickly found their own sound. Their drummer at that time was a guy called Carl.
Things went well and the trio played lots of gigs at various rockin’ clubs around the country.They gained a good reputation and one evening after a gig they met Dell Richardson from Fury records who asked them to do some recordings for him on a couple of compilation albums (Gipsy Girl, I Love My Car, She’s Just Rockin’, Taken By Force). Then Carl left to emigrate to California. By chance they knew Keith Bailey a fan of the band who also played drums. He was proposed the place. This line-up recorded their unique album “You Ain’t Seen Nothing Yet” still for Fury. It is a typical 80’s neo-rockabilly album with light guitar and snare and slap bass to the fore. Using the lp as a card the Niteshift Trio gained more gigs abroad, including Germany which they toured twice with the Guana Bats, Demented Are Go the Deltas and various other top name and is remembered as a fantastic experience. Unfortunately Steve decided to quit the band to become a solo country and western singer, which he still does now. Gary went on to form a new band called Loveless, a wild rock n roll band doing various rock n roll with a trashy sound, for which he switched from double bass to guitar and vocals enjoying playing and writing songs. Loveless toured Germany and went down a storm and it remains like a great experience for Gary.
You Ain’t Seen Nothing Yet” has since been reissued on cd by Raucous including the compilation tracks as a bonus.

Jimmy Swan – Honky Tonkin’ In Mississippi

jimmyswanBear Family BCD 15578 AH
I Had a Dream – Juke Joint Mama – I Love You Too Much – Triflin’ on Me – The Last Letter – The Little Church – Mark of Shame – Losers Weepers – One More Time – Lonesome Daddy Blues – Frost on My Roof – Why Did You Change Your Mind – Hey Baby Baby – It’s Your Turn to Cry – Good and Lonesome – Country Cattin’ – The Way That You’re Living – Lonesome Man – I Love You Too Much – Don’t Conceal Your Wedding Ring – No One Loves a Broken Heart – It Takes a Lonesome Man – Honky Tonkin’ (In Mississippi) – I Love You Too Much – It Takes a Lonesome Man – Rattlesnake Daddy – Asleep in the Deep – Walkin’ My Dog – Good and Lonesome – Why Did You Change Your Mind
In his carreer Jimmy Swan recorded for various labels including Trumpet, MGM, and Decca. This compilation covers a period going from 1952 to 1968 and it’s amazing to see how his music saw little evolution during these 16 years. While country music radically changed, he sticked to his brand of raw and rural honky tonk heavily influenced by Hank Williams (sadly his political views also belonged to a bygone era). Many songs in this set of mostly self penned numbers remind of the lovesick blues boy. Lonesome Daddy Blues Triflin’ On Me, One More Time and Honky Tonkin’ are respectively variations around Long Gone Lonesome Blues, Lovesick Blues, I’m So Lonesome I could Cry and Honky Tonk Blues. He also played a couple of hillbilly boogie/proto rockabilly like Country Cattin’ and Rattlesnake Daddy that are worth the price of the cd alone. If you dig Hank Williams and country music before it changed for the worse, you’ll like this one.

Fred “Virgil” Turgis

Lucky 13

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lucky-13-come-back-home-cdLucky 13 – Come Back Home

Part Records PART-CD 6111.001 [2014]
Black Slacks – Moonshine – Jungle Fever – You Are My Destiny – Come Back Home – Bad Girl – Get Off The Road – 44 – Maniac Babe – Bad Reputation – Purple Flames And The Lost 13 – Wish You Were Dead – The Cats – Far Far Away – In The Moon For You – Tough Guys – 44 (acoustic version) – In The Bar – Liar – Happy End.

Lucky 13 are a hot rockin’ trio centered around the charismatic personnalities of Ed Mind on guitar and Ani Romance on electric bass with, on this platter, either Jimmy Cash or or Lance Matthyssen on drums. Both Romance and Mind write solid originals and sing which brings a lot of variety in term of sound and style.
The songs gathered on “Come Back Home” have been recorded over a period that goes from 1998 to 2012.
Their music takes its roots in the rockabilly of the fifties and goes as far as Psychobilly in the style of the Anagram era of the Meteors with everything cool in between. You’ll find some rompin’ instrumentals, 60’s Girl bands stuff (Paul Anka’s You are My Destiny excellently sung by Romance), 80’s neo-Rockabilly (a superb cover of Red Hot’n’Blue’s Bad Girl or Moonshine that many of us discovered on the Deltas debut album), and some darker stuff reminiscent of the Cramps or Empress of Fur (and their bass palyer can stand proudly next to Candy Del Mar, Ivy Poison or Venus Raygunn in term of “girl with a bad attitude”.)
If you like real rockin’ music and don’t aim for a purist sound, and dig the bands mentionned above, be sure to grab a copy of this platter.

Fred “Virgil” Turgis

Gone Hepsville

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gone-hepsville-lotsa-rhythm

Gone Hepsville – Lotsa Rhythm

Rhythm Bomb records RBR5770
Lotsa Rhythm – Hip As I Can Be – Lazy Town – She Won’t Shut Up – The Jump – Born 15 Minutes Late – I’m Gone Hepsville – I Ain’t Crazy – Fake Out – 3am Romance – Sweet Defeat – Surrendered – Rockin’ Bug – When Mister Woogie Beats The Boogie – Hepsville Stroll – Trix On Trixon – True Fine Mama That Loves Me – I’m In Flames

Gone Hepsville is a six piece band – that also goes under the name of the Fireballs – and they comes from the Czech Republic. They play good old Rock’n’roll with a very traditionnal sound (it’s been recorded at Lightning Recorders in Berlin by Axel Praefcke) in the style of Bill Haley, the Treniers, Freddie Bell or closer to us the Big Six.
All songs are band’s originals and they’re pretty well done. The double horn attack of Petr Janovský (tenor sax), and Pavel Zlámal (baritone sax) take no prisonners and are the real engine of the band. Behind them the rhythm section, with piano, is super tight (powerful slap bass and swingin drums). Both Petr Pospíšil (upright bass, ) and Pavel Štursa (guitar) sing lead which brings a lot of variety to the setlist as do the instrumental tracks.
This is the kind of music that talks directly to your feet and is sure to make you jump, bop and rock.
www.rhythmbomb.com
www.gonehepsville.com

Fred “Virgil” Turgis

Jumpin’ Paralyzers (the)

jparalyzersThe Jumpin’ Paralyzers was a rock’n’roll/jive band from Finland (Tampere) formed in 1982 with members of the Hillybilly Cats, Buddy Rider and the Bobbin’ Tunes: Jarkki Siekkinen (vocals and guitar), Olli ‘ Big Daddy’ Ahonen (drums), Jukka ‘Juki’ Manninen (doublebass) and Pete Rinta-Opas (sax) and Harri ‘Harry’ Kallio an occasional fifth member on rhythm guitar.
Jumpin’ Paralyzers were influenced by Bill Haley and the Stargazers who were very popular in Finland at that time.
They quickly released a tape with two self penned tunes (“Go Wild All Catz“, “Let’s Start Jumpin‘” and two covers (“Big Fat Mamas Are Back In Style” and “It’s A Groove“) that sold out within a year. They also backed Dave Taylor on stage and on his album “Midnight Rock” (on Nervous Records). A live tape followed as well as a show recorded for Finnish TV on which they were joined by Jouni Joronen on piano.
They disbanded in the middle of 1984.

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