Virgil

Star Time Playboys (the)

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Star Time Playboys (the)
the Star Time Playboys – it’s star time!

The Star Time PlayBoys – It’s star Time

Martin’s Garage ‎– ST13-CD-016 [2016]
Barnyard Bob – Sugar Cube – Havana – I’m Surfish – Red Rose Rag – Starless Night – Don’t Wait – Swingin’ With Zotel

I’m awfully late with taht review and thatt’s a shame. I should have reviewed this all instrumental album way much earlier, because it has every quality I ask to this type of records: it’s very well played (and I mean extremely well performed) and it’s short. I hear you moan “if it’s that good why are you happy that it’s short?” Well, too often, instrumental albums tends to be repetitive on the long distance with a couple of filler here or there. Nothing like that here, only the best material ended on this platter. This is just perfect.

The Star Time Playboys take their name from Bob Wills’ band which is always a plus in my book and come from Slovenia. It’s Star Time! is their debut album and it’s a superb mix of country jazz that reminds you the likes of Jimmy Bryant and Jimmie Rivers (also Dave Biller). latin beat with a rock feel, hot and fast picking, surf with a blues influence (kinda Link Wray meets Freddie King), 60’s influenced instrumental and a definitive rockabilly feel everywhere.

The rhythm section is hot and perfectly support Urban Zotei who instantly made his place among today’s great guitar players like the previously mentioned Dave Biller, but also Paul Pigat or Jinx Jones.

I wish to hear more from them in the future and I’d love to hear them try some stuff with a steel guitar.

Fred “Virgil” Turgis

V/A El Mexican Rock And Roll

V/A El Mexican Rock And Roll
V/A El Mexican Rock And Roll

Volume 1
El Toro [2009]
La Orquesta de Pablo Beltran Ruiz : Mexican Rock And Roll – Gloria Rios : El Relojito – Orquesta De Cuco Valtierra : Only You – Los Lunaticos : Ya Vistete Kitty – Orquesta De Venus Rey : Al Compas Del Rock – Los Llopis : Basta Arturo – Las Supersecas : El Rock De La Carcel – La Orquesta Royale Y Sus Cantantes : Por Lo Que vivo – Daniel Santos : Baila Conmigo – The Goya Cats : El Gato Del Express – La Orquesta De Pepe Luis : El Rock Universitario – Ricardo “Rebelde” Lemus y Sus Rocks : Arroz – Los Xochimilcas : Xochimilcas Rock – Los Lunaticos : Donde La Pescaste – Gloria Rios : Es Un Golfo – Los Supersecas : Te Quiero, Te Adoro Y Te Necesito – Los Lunaticos : El Reloj – Ricardo “Rebelde” Lemus y Sus Rocks : Perro Callejero – Juan Garcia Esquivel y Su Orquesta : Politecnico Rock And Roll – The Goya Cats : Mezcal – Los Trincas : Nena – Gloria Rios : La Mecedora – Los Xochimilcas : Rock Rollin’ Rock – Gloria Rios : Jazzeando “En Vivo” Uniseed – Los Supersecas : Tutti Frutti

By 1955 the rock’nroll craze hit the world. Separated by just one border, Mexico was among the first to succumb. This compilation gathers some of the first Mexican musicians that tried to play this music.
If some are just big bands or hotel / dance orchestra trying to jump on the bandwagon and are not very good, the carefull listener will find a couple of little gems. Gloria Rios, featured here with four songs, has a good Bill Haley like rocker and shows a good understanding of the genre. The other songs are tamer but quite good too. Los Lunaticos can play both wild and melodic stuff. One of my favorite band is Los Llopis, that manage to emulate Haley’s sound and that’s too bad they only have one song. Another highlight are the Goyo Cats that play two hot instrumentals with sax, guitar and steel guitar. You’ll also find hot guitar and piano solos but drawned in average material.
Next to original material, you’ll hear Spanish covers of Elvis’ Hound Dog, Jailhouse Rock, Tutti Frutti and I Want You, I Need You I Love You executed with various degrees of success.
An interesting compilation but probably more for curious listeners than the casual rock’n’roll fan..
Fred “Virgil” Turgis

Vince and the Sun Boppers

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Vince and the Sun Boppers
Vince and the Sun Boppers

Vince and the Sun Boppers – Gone For Lovin’

Rhythm Bomb RBR 5830
Bad Boy Rock – Black Haired Woman – Bunny Love – Dance With Sally – Devil Eyes – Gone For Lovin – Mama Little Chicky – I’m Longing For You – It’s You – Lone No More- Ooh My Baby – You Gotta Be Mine

When he recorded Elvis Scotty and Bill in July 1954, Sam Phillips probably didn’t know that not only he was writing history but more than 60 years later, folks from all around the world, young and old, would continue to play this music.

Vince and the Sun Boppers are one of those bands who perpetuate the tradition of classic Rockabilly (I don’t like the term authentic, for me as long as it’s played with the heart, whether it’s Big Sandy, Crazy Cavan or the Rockats, it’s authentic) These four cats (Vince Mannino: vocals lead guitar, Francesco Ardito: double bass, Silvio Chiodo: acoustic guitar and John Ziino: drums) come from Sicily but had Rhythm Bomb, their label, told me those songs came from a lost Sun session (I guess there’s a reason why they’re called the Sun Boppers)  from 1956 I would easily have believed them.

Everything here sounds period perfect. The rhythm section is top notch with a solid acoustic rhythm guitar, a light double bass – unlike too many bass players Mister Ardito knows that you don’t need to slap on all songs when you have a drummer – that perfectly matches with the drummer who manages to perfectly nail that Jimmy Van Eaton/ WS Holland sound. And of course there’s the voice and the guitar.
All these qualities to serve a bunch of excellent self-penned songs that manage to be both originals and in the tradition. As I said Vince and the Sun Boppers’ main influence is clearly the Sun sound but one can also hear the influence of Texas Rockabilly bands like Sid King and the Five Strings on a tune like Mama Little Chicky. Equally great is “It’s You” with its Jordanaires like backing vocals.

Fred “Virgil” Turgis

Taggy Tones

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Taggy Tones - Unplugged, Unreleased, Unexploited
Taggy Tones – Unplugged, Unreleased, Unexploited

Taggy Tones – Unplugged, Unreleased, Unexploited

Raucous Records RAUCD165
Saint & A Sinner – Rockabilly Girl These Boots Are Made For Walking Rockabilly Rebel – Rebel Yell – This Little Girl – His Latest Flame Folsom Prison Blues – Insane – Big Fat Stella – If Only You Knew – Memories Keep On Haunting Me – Pink & Black – Crazy Kid – C’mon Johnny 501 – Crazy Love – Blue Suede Shoes Tutti Frutti – Nutbush City Limits Run Rudolf Run – Don’t EverTrust A Girl
Very good compilation of totally new material from this Danish neo-rockabilly combo. Tracks 1 to 6 are taken from a radio show and are recorded unplugged. These six songs worth the price of this album alone. Do you remember Restless’ unplugged songs on their “Rarities” cd, these ones are as good. Acoustic guitar, slap bass and brushed snare. Great version of Matchbox “Rockabilly Rebel” and even better is Billy Idol’s “Rebel Yell”. Idol seems to be a favourite of rockabillies and psychobillies as he was heavily covered troughout the years. Lost Souls did “Dancing With Myself”, The Ricochets did “King Rocker” and recently Union Avenue played a fine version of “White Wedding”. “Saints & Sinners” is not The Long Tall Texans one but a Taggy Tones original. The second part are unreleased and alternate takes from the “Rockin’” album. They kept the same tempo for “Memories Keep On Haunting Me” but this version has no whistling and the voice is different. Hard to choose between the two versions, I’m afraid you’ll have to buy both. Tracks 13 to 17 are demos of songs from “Viking Attack” album and are produced by Kim Nekroman. It’s no wonder to hear on “Crazy Kid” a typical Nekromantix backing vocal. A few live songs complete the set, with various guest on saxophone, trumpet (great rendition of Tutti frutti à la Sonny Burgess) and various guest singer. The last song on this cd is a beautiful piece of rockabilly with just the voice, a light guitar and a strong slap bass. And, according to the liner notes, it’s only a rehearsal. A very well crafted record with various moods, sounds and stuff that will delight every Taggy Tones fans and gain them lot of new supporter.
Fred “Virgil” Turgis

Janis & Elvis

janis and elvisEl Toro Records ETCD1015
Elvis – I’m Left, You’re Right, She’s Gone – Janis – Ooby-Dooby – Elvis – Milk Cow Blues Boogy (sic) – Janis – Let’s elope Baby – Elvis – Baby Let’s Play House – Janis – o¬ne More Year To Go – Elvis – You’re A Heartbreaker – Janis – Barefoot Baby – Elvis – Mistery Train – Elvis – Good Rockin’ Tonight – Janis – Will you, Willyum – Elvis – Tryin’ to Get to You – Elvis – I’ll Never Let You Go, Little Darlin’ – Janis – Little Bit – Elvis – How Do You Think I Feel? – Elvis – Anyway You Want Me (That’s How I Will Be) – Janis – Drugstore Rock And Roll – Elvis – Paralyzed -Elvis – I’m Counting o¬n You – Janis – My Boy Elvis – Elvis – Anyplace Is Paradise – Elvis – Playing for Keeps – Janis – Little Bit (Alternative Take) – Elvis – My Baby’s Gone (I’m Left, You’re Right, She’s Gone – alt – Elvis – First In Line – Elvis – How’s The World Treating You

The original 10” lp is one of the rarest rock’n’roll record and is in high demand by collectors. It has been released by RCA in South Africa but only one day after its release, Colonel Parker called to take it back from the shelves cause nobody performs with Elvis and it was titled “Janis and Elvis” instead of “Elvis and Janis”. El Toro has added 18 tracks to the 8 originals but don’t expect any unissued stuff. Let’s put it frankly, if you’re a hardcore rockabilly fan you probably own this songs (and probably in more than one format) but if you’re a newcomer it’s the perfect introduction to discover this two great stars and it’ll give you the will to dig deeper. It also features an informative booklet and a fine repro of the original artwork.

Fred “Virgil” Turgis

Niteshift Trio (the)

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The origin of the Niteshift trio can be traced when Gary Venn started to learn double bass in the early 1980s. His teacher was Boz Boorer from the legendary Polecats (and now Morrissey’s main man). He soon teamed up with a school friend called Steve Lovett on guitar and they started to practice in his mum and dads garage. It all seemed to fall into place and they quickly found their own sound. Their drummer at that time was a guy called Carl.
Things went well and the trio played lots of gigs at various rockin’ clubs around the country.They gained a good reputation and one evening after a gig they met Dell Richardson from Fury records who asked them to do some recordings for him on a couple of compilation albums (Gipsy Girl, I Love My Car, She’s Just Rockin’, Taken By Force).

Then Carl left to emigrate to California. By chance they knew Keith Bailey a fan of the band who also played drums. He was proposed the place. This line-up recorded their unique album “You Ain’t Seen Nothing Yet” still for Fury. Using the lp as a card the Niteshift Trio gained more gigs abroad, including Germany which they toured twice with the Guana Bats, Demented Are Go the Deltas and various other top name and is remembered as a fantastic experience.

Unfortunately Steve decided to quit the band to become a solo country and western singer, which he still does now. Gary went on to form a new band called Loveless, a wild rock n roll band doing various rock n roll with a trashy sound, for which he switched from double bass to guitar and vocals enjoying playing and writing songs. Loveless toured Germany and went down a storm and it remains like a great experience for Gary.

The Niteshift Trio - You Aint Seen Nothing Yet
The Niteshift Trio – You Aint Seen Nothing Yet

The Niteshift Trio – You ain’t seen nothing yet

Fury / Raucous RAUC 237
You Ain’t Seen Nothin’ Yet – One More Day – Leave ‘Em Cold – Venus – See My Body – Super Jet Rumble – Rockin’ In The Graveyard – Cadillac Ranch – Train Don’t Stop Here – Don’t Let It Fade Away – Slide – Taken By Force / Life Could Be Easy – Don’t Need Nobody – Taken By Force – What D’Ya See Now.

After numerous apparitions on compilation albums (one of their track even gave its name to “Taken By Force”), the Niteshift Trio finally made it on long distance.
“You AIn’t Seen Nothing Yet” is a typical 80’s neo-rockabilly album. The ingredients are all here (light guitar and snare, slap bass to the fore) and the result is rather pleasant. They have good originals and like many rockabilly bands of this era they also cover rather unusual material like Venus (made famous by Bananarama) and Bruce Springsteen’s Cadillac Ranch. This cover is the only weak point of this platter, using and abusing of a repetitive riff, but to their discharge this boring riff was also present on the Boss’ version.
The original album is rounded by bonus material coming from the aforementionned compilations
This is a must have album for any true neo-rockabilly fans and a good reissue from Raucous.

© Fred “Virgil” Turgis

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