Browse Tag

el toro records - Page 2

Wise Guyz (the)

Published on
Wise Guyz

Wise Guyz (the) – Don’t Touch My Greasy hair [2011]

El Toro
Don’t Touch My Greasy hair – It’s Not Right – I’m A fool – Heat – Hey hey Little Chick – I’ve Kissed You baby – Jukebox Jumpin’ – Rock Me Baby – I wanna Be – Moonlight In The Dark – Kissin’ Is On My Mind – Really Rocket – Girls babies Chicks & Hunnies – Hold Me baby – Let’s Fly To The Stars – Love Me Or Leave me – Goodbye My Baby

This is the fourth album for the Wise Guyz. This quartet comes from Ukrain. The first listen makes clear that Johnny Burnette is an obvious influence for these guys. They try to vary things by bringing a sax on “Heat”and “Hold Me Bay” but it’s not very well exploited and fail to convince like their doo wop attempts (I’ve kissed You). The constant distortion on the voice is, at the end, very disturbing and I was curious after two songs to hear how the singer really sounded. Could he sing without that artifice? It’s only on the 15th song, a gentle ballad, that his “real” voice” could at last be heard. It proves that the band should really play more in this way.

Their originals are good, but far from being unforgettable, and once again I maintain that 17 songs are way too much for a rock’n’roll album , and after 8 songs they all sound more or less the same. Too many musicians forget that Rockabilly is mainly a music made for 45’s.

For fans of desperate rock’n’roll things.

Fred “Virgil” Turgis

Arsen Roulette

Published on
/

Arsen Roulette – The Lost Recordings

arsen roulette - the lost recordings

El Toro Records ETCD7000 [2005]

I Get Up – All Through The Nite – She Was My Baby – Boppin’ Lil Betty – Gone Crazy – Don’t Say Goodbye – At The Drugstore – Hop Up Honey – Tonight Tonight – Baby Likes To Rock And Roll – Jinx On Me (Demo) – 7 Lonely Nites, Days (Demo) – Spinin’ Around (Demo) – Lonely Blue Teardrops (Demo) – Gone Gone Gone (Demo)

Arsen Roulette, has just released an album on the Spanish label El Toro that gathers all his pieces recorded during 2003-2004.

This «Lost Recordings» album is hot, very very hot: it is likely to burn your CD player and set your boppin’ shoes on fire! Arsen is not the calm kind. This wild double bass player has tailored 15 cuts, alone and with friends. Among these friends, there is thee Rockin’ Lloyd Tripp who holds the lead guitar on most cuts. Also, on the titles recorded with the Ricochets, Arsen’s preceding band, is Matt Pavlovic. So you can be sure that you’re gonna find some «rockabilly weapons of massive destruction». As this is the case; it is definitely not rockabilly for queers or sissies! James Chance, the drummer, beats like a nutcase, the guitar groans, shouts whereas the double bass slaps and snaps. Arsen adores Jerry Lee, and in his work one finds the fever and the urgency of Killer. The first title “I Get Up” starts with the sound of the needle of a record player on an old vinyl with a piano sound à la Jerry Lee.

So after starting gently, the second piece All Through The Nite is gonna wake you up like a hundred cups of coffee bursting directly into your heart and your head! Be prepared because you won’t find any rest before At The Drugstore (the seventh cut!) and then back to your frenzy boppin’ with Hop Up Honey. The last five are almost all demos (the sound is not that good but the power is still here) except «Lonely Blue Tear Drops (an out take) a catchy rockabilly ballad that just thrills me so mean!
David “Long Tall” Phisel

Arsen Roulette – Let’s Get On With It

Arsen Roulette - Let's Get On With It

El Toro Records ETCD7001

Let’s Get On With It-Chance On Me-Messed Up-I Do For You-Shake It Around-Sounds That Charge-Bop Away Blues-Honky Tonk Alone-On The Prowl-Lovin’ On My Mind- Shake Loose-Strolling Back To You

Arsen Roulette’s “Lost Recordings” was already a pure dynamite rockabilly fuckin’ good album but what about Let’s Get On With It? An Atomic bomb would be the suitable expression so much the power of this El Toro Records produced album is huge with his 12 good penned and recorded songs by Arsen and his band on pre-1959 material and instuments.

Before their european tour, Arsen Roulette and the guys went on studio and signed an undeniable rockabilly success that got the fever to heat an ice-cold old maid. The band with some new Drugstore Romeos is made up of some of the best musicians: Mark Millard on drums, Alex Vargas from the Vargas Brothers on bass and last but not the least Matt Pavlovcic, the faithful young guitar wizard.

Be prepared for this rockabilly shock that grab you from the beginning with his eponymous track ‘till the very end. No fillers but only pure wild kick-ass mule rockabilly killers!

And don’t you ever think that I‘ve been paid by Arsen to say all that good about his album or that I want to thank him for using an extract of my previous review in his sleeve’s liner notes to do his first album promotion. If you do think so, The Long Tall will put a voodoo spell on you!!!

So if tonight you got “some lovin on your mind” but your baby says don’t “take a chance on me” and left you tellin’that she won’t be “strollin’ back to you” instead of being all “Messed up”or “on the prowl”, ready to “Honky tonk Alone” just remember that Arsen Roulette is a ready to share hepcat that will tell you “I do for you” some “Sounds That Charge” to “Bop Away The Blues” and “Shake it Around” till you ”Shake It Loose” so… “Let’s get on with him”

David “Long Tall” Phisel

Caroline Casey

Published on
/

Caroline Casey & her Stringslingers – This Broken Crown

Caroline Casey

ElToro ETCD3022

Caroline Casey is the second “half” of the Casey Sisters, a rock’n’roll-rockabilly band that released two albums on the Tail label. She makes her solo debut with this album on the Spanish label El Toro.

While her ex-partner in crime Lil’ Rachel chose a Rhythm’n’Blues way (check her two fantastic albums, also on ElToro), Caroline, backed by the always excellent Lazy Jumpers, offers here a fine late 50’s/early 60’s honky tonk/Bakersfield album full of steel guitar (and dobro too), fiddle, twangy guitars and country shuffles on which she wrote every songs but four. Her strong and powerfull (and beautiful) voice perfectly fits the genre.

Of course you’re in well known territories but it never sounds artificial, repetitive or “cliché”. There are plenty of slight variations that make the album enjoyable from start to finish. “Little Pink Mack” has a truck driver song vibe in it and it makes you dream about a duet with Chris “Sugarball” Sprague. “Used Wedding Ring” is a poignant waltz written by Al Urban. “Treshold” changes the pace and brings a slight touch of Tex-mex with trumpets and castagnets. Another highlight is “Six Empty Bottles” in the vein of “Heartaches By The Number”. You’ll find a western swing touch with “That Kiss Is There” an uptempo number with excellent piano and fiddle while “Dark Of Night” adds a touch of gospel and “Texas Boogie” closes the album with… a boogie.

Fred “Virgil” Turgis

Rocky Burnette

Published on
/
Rocky Burnette
Rocky Burnette

Rocky Burnette – Wampus Cat


El Toro Records
Wampus Cat – Streamliner – Please Don’t Leave Me – Riding On a Rocket – Why Go Home? – Why U Been Gone So Long – Crazy Legs – Que Lastima – I Love You So – Next Train – Dinchu – Lonesome Tears In My Eyes – You Never Know – Rock Therapy

To be the son of a legend like Johnny Burnette is surely not an easy thing when you decide to play rockabilly. If the son of Picasso was a painter, the comparison would be inevitable. But Rocky Burnette (the kid wearing diaper on the cover that’s him!) has enough experience and talent and is not trapped by this heritage, and where some would have been happy to carry on with the name and be just copycats, he proposes something new and personnal.

The Lazy Jumpers (a talented band whether they play for their own records or back others) provide the perfect backing for his kind of modern rockabilly/blues and they also wrote a couple of originals (as did Rocky too). And even if you find cover of his illustrious family, they are rearranged. “Please Don’t Leave Me” gets back to its original roots in this bluesy version and “I Love You So” features an organ. The rest reflects varied inspiration : hillbilly and bluegrass with banjo and mandolin (You Never Know), Texas rockabilly ala Buddy Holly (Streamliner), neo-rockabilly that sounds like an unreleased cut from the Space Cadets (Riding On A Rocket) with a quote of Rock-Billy Boogie when the song fades out, and Que Latima is a latin instrumental (after all the band and the label are Spanish).

Of course you have plenty of Rockabilly Bop (it’s in the blood) like “Dinchus” and “Next Train”. As a bonus, Rocky’s daughter, Chanti Teresa Burnette, covers Rock Therapy. Although her version is good, she plays on the same ground as her grandfather and she inevitably suffers the comparison with him. Despite this minor point, this is a very good and eclectic album.

Available at El Toro


Fred “Virgil” Turgis

Domino’s (the)

Published on
//
Domino's

Domino’s (the) – It Don’t Mean A Thing

El Toro records – ETCD 6097

It Don’t Mean A Thing – I Can’t Be Satisfied – Flyin To The Station Gate – Minor Swing – The Messaround – The Train With A Rhumba Beat – Cuckoo Girl – Trapped In A Web Of Love – Cannonball Rag – It’s A Sin To Tell A Lie – Why Don‘t You – Je Suis Swing – Tornado – Everybody Said – Rhythm In My Bones

Patrick Ouchene formed the Domino’s in 1989. The band first started mainly as a rockabilly combo and released their debut album for Rockhouse records in Netherland. By their second album as their tastes changed, their sound evolved covering a wider range of roots music.
This best of is basically their “Minor Things” album (released on Big Bang Records) with a couple of bonus tracks.

To be honest, Duke Ellington’s is not the best song to start with. Ouchene’s vocals is a bit too much but the solist are hot. By the second song, Muddy Water’s Cant Be Satisfied, things get way better. From that point, the whole set range from swing (Django’s Minor Swing), Rhythm and Blues (Mess Around), Rock’n’roll (Rhythm in My Bones), French Zazou music (Johnny Hess’ je suis Swing) and of course Rockabilly (Why Don’t You,  Tornado) without forgetting a fine cover of Johnny Horton’s the Train with the Rumba Beat.
The band benefits of the service of a hot rhythm section (it can, featuring Jack fire of the Wild Ones), a solid lead guitar (and some steel too) and most of all, the band secret weapon in the person of Bernard Vancraeynest  who not happy to arrange some of the songs plays violin, cello, piano and saxophones.
All in all a very pleasant album that I was happy to rediscover with this best-of (and I encourage you to do the same).

Available here.

1 2