Lester Peabody Archives - the rockabilly chronicle

The Barnshakers

Published on 6 April 20247 April 2024

Reviews

The Barnshakers ‎– Whiskey River / Hollow Grave

Goofin’ Records ‎– GRSI 224 [2012]

Another excellent single released by the Barnshakers. The A-side is a cover of Johnny Bush’s Whiskey River, also a hit for Willie Nelson. They deliver a superb muscled-up version with powerful slap bass and intense vocal by Vesa.
The flip is an excellent Rockabilly with harmony vocals, typical of the style of the band.

The Barnshakers – Twenty One

Goofin Records GRCD6130
Twenty-One – Come On – Bop Bop Ba Doo Bop – Have A Ball – Knock Knock Rattle – Everybody’s Trying To Be My Baby – Yah! I’m Movin’ – Wiggle Like A Worm.

Very good mini cd from the Barnshakers, one of the best, if not the best european band in activity made of one studio track and seven live recording. The studio track “Twenty One”, a Vesa Haaja’s own, is an immediate addictive song with its great vocal and lead guitar part and the piano support. This song proves how right they were to add a piano in their line-up. The live show, with the exception of “Wiggle Like A Worm” is made of covers and songs that were never recorded in the studio by the band. This gives another interest to this record to hear them playing classic songs by Wynn Stewart (Come On), Lew Williams (Bop Bop Ba Doo Bop) and Carl Perkins (Everybody’s Trying To Be My Baby). The set ends with a frantic Vesa singing and screaming on “Yah! I’m Movin’” and “Wiggle Like A Worm” with Lester playing Burlisonnian licks. By far the best cut of this record. An advice, if you want it, you should hurry as the cover states it’s a limited release…

The Barnshakers – The Single album

Goofin Records GRCD6126 {2004}
She Done Quit Me – So Doggone Blue – Big Sandy – Ooh’ Baby -Complicated Fool – Who’s Gonna Be The Next One Honey – When I Take My Sugar To Tea – Take One – Wiggle Like A Worm – Choo Choo’s Coming Back – Desperate Santa – Santa’s Got A Brand New Steel Pedal – Hocus Pocus – Gone A-Rockin’ – You’re The Cause Of It All – Tell My Baby I Love Her – Move On – What’cha Gonna Do – Boppin’ In Roswell – Raining In My Heart – What’cha Doin’ To Me – Lotta Lotta Women

It’s a good idea to issue all the Barnshakers singles on one cd as some are not that easy to find. You can also see the evolution of the band through the years from the rockabilly of the beginning to the addition of a piano player and the touch of boogie of today. The first single shows what a good songwriter Jussi Huhtakangas (aka Lester Peabody) is, too bad he doesn’t write more songs. Vesa, the lead singer and main writer wrote my two favourite songs on the cd issued from the Xmas single «Desperate Santa» and the great «Santa’s got a brand new pedal steel». You got some covers too and a song penned by Shaun Young. So what could you ask for more ? Unissued material ? You’ve got it, two new songs recorded in 2004. So I guess you understood this record is a must have for all Barnshakers and rockabilly fans everywhere.

The Barnashakers – Complicated Fool

Goofin’ Records – GOOFY 546 [1994]
Complicated Fool – Whose Gonna Be The Next One Honey / When I Take My Sugar To Tea – Take One

This superb EP opens with Complicated Fool, a superb Rockabilly tinged with Hillbilly, which is a composition by Vesa Haaja, the singer of the group. Peabody’s guitar and Haaja’s vocals, capable of alternating Rockabilly tension, Hillbilly style and the softest crooning, are the two elements that jump to the ears first. Still, one should not forget the rhythm section. Mika Liikari (double bass) and Mike Salminen (drums) are Europe’s answer to the rhythm section that Bobby Trimble and Wally Hersom of the Fly-Rite Trio formed.
Next comes a cover of Whose Gonna Be The Next One Honey (Hal Goodson & the Raiders in 1957). The Barnshakers’ version is very close to the original, although softer, thanks to Haaja’s fabulous singing.
The first track on side B is a cover of When I Take My Sugar To Tea, a song from the early 1930s, made popular by artists as talented as the Boswell Sisters, Bing Crosby and Nat King Cole, to name a few. The Barnshakers approach their version by adding a Gene Vincent touch, reminiscent of him when he covered standards such as Up A Lazy River or Peg O My Heart. The rhythm is subtle, Vesa croons and the guitar part is sparkling.
Speaking of guitar, the last piece is a cover of Take One, Phil Baugh’s very jazzy instrumental. It is a tour de force and a demonstration of Lester Peabody’s know-how.

Fred “Virgil” Turgis

The Barnshakers (left to right: Mike Salminen, Vesa Haaja, Mika Liikari, Lester Peabody).

Hal Peters trio / & his Stringdusters

Published on 14 May 20226 August 2023

Reviews

Hal Peters and his Trio – Takes on Carl Perkins

Bluelight, BLR 33218 1 [2022]
Big Bad Blues – You Can’t Make Love to Somebody – Lonely Heart – Turn Around – Somebody Tell Me – I’m Sorry I’m Not Sorry – Dixie Fried – Everybody’s Trying to Be My Baby – Forever Yours – Matchbox – Movie Magg – Boppin’ the Blues – Just Coastin’ – Tennessee

One of Europe’s best Rockabilly bands, the Hal Peters Trio, formed nearly 40 years ago. And their relationship with Carl Perkins dates from the same period. The compilation album Goofin’ Around featured a cover of Gone Gone Gone recorded in 1985 during a rehearsal. On subsequent releases, they often included songs from Perkins: Perkin’s Wiggle and Tennessee on their debut album, Somebody Tell Me on Baby I’m Ready in 1991 and more recently Gone Gone Gone on Crazy Mixed Up Blues in 2018.
Their latest album features 14 tracks, all written or recorded by Carl Perkins, except for I’m Sorry, I’m Not Sorry, written by Wanda Ballman.
An all-covers album is always a delicate thing. Moreover, an album dedicated to just one artist. The hardest thing is to find a good distance between fidelity and originality. If you’re too faithful to the original, what’s the point and if you’re too adventurous, there’s a risk of betraying the beauty of the original.
Fear not, my friends! Hal Peters and his band (Eino Rastas on guitar, Timo Uimonen on double bass, and Janne Junnilainen on drums) found the correct approach. Their success resides in two things (well, three, if you count their musicianship). First, they made a perfect selection. The correct balance between Sun hits and lesser-known tracks, covering the fifties and the sixties. They were clever enough not to stick to Sun, but also they also added songs Perkins had recorded for Brunswick, Columbia and even a tune that was only demoed (Somebody Tell Me). The result is a selection that ranges from his hillbilly debuts to his late 60s rockin’ sides.
The second ingredient is love. They don’t let the respect they have for Perkins’ recording legacy paralyse them. Thus, the result is not a sterile re-creation but a joyful celebration. You can’t help but tap your feet and sing with them. And they manage to add their own personality in the process.
The biggest achievement of this fine platter is that you never think, “I’d rather listen to the originals”. And that, considering the immense talent of Carl Perkins, this is not a small feat.
Note: the LP version features Turn Around instead of Let the Jukebox Keep On Playing and Honky Tonk Blues instead of Movie Magg.

Fred “Virgil” Turgis

Hal Peters and his String Dusters – Western Standard Time

Bluelight Records. BLR 331132 [2004]
Late For Lovin’ – Eatin’ Right Out Of Your Hand – Without You – Time/Careless Words – Ciggarets, Jukebox and A Bar Room – I Hear You Talkin’ – Take Back Your Paperheart – Play The Music Louder – My Front Door Is Open – If I Don’t Love You (Grits Ain’t Croseries) – I’m Satisfied With You – Diamonds And Cadillacs – Guess Things Happen That Way

One often says that to make good country music and especially western-swing, it is necessary to be american and live in the south of the country if possible! All this is bullshit and I ‘m gonna disclose it right now : there is a band in Finland which, since many years now, forged itself a reputation whose exceeded the borders and is far from being usurped. Hal Peters and his String Dusters’ fellows form today part of the best formations of Western-Swing and this new album «Western Standard Time» proves it easily.Since their beginnings in the rockabilly music as a quartet (Hal Peters and his Trio) the combo has changed its name, stretched and moved towards a hillbilly bop and western-swing style inspired by Curtis Gordon (to whom this album is dedicated) Roy Hogsed or Hank Thompson. These accomplished musicians who divided themselves between other bands give to this album a credibility who largely exceeds a number of other bands which today launch out in this musical kind. Listen to «Late For Lovin’» a composition of Hal Peters (his real name is Heikki Laakkonen) and you will immediately be transported to Texas or Oklahomain the middle of the Fifties. The rest of the album will firmly anchor you to it during the fourteen titles with a small detour towards the rockabilly sound of Memphis with the participation of Hayden Thompson («Diamonds and Cadillacs») and the «Cash» soundalike with the cover of «Guess Things Happen That Way». Is Helsinki goin’ to overshadow Turkey as the home of Western-Swing?? Who knows.??

David Phisel

Hal Peters and his Trio – Fireball Mail

Goofin Record GRCD 6038 {1994}
Fireball Mail – Make Up Your Mind – Rock Me Up – Baby I’m Ready – You’re My Very Special Baby – Doggone It/If You Don’t, Somebody Else Will – You’re There – Satisfied – Starlight – When I Saw Your Face In The Moon/You’re Gone – Steelin’Home – Blue Blue Day – Tired Of Rockin’ – Rock, Roll, Jump and Jive – Snatch It And Grab It – Big Fool – Have I Told You Lately That I Love You – You Can’t Do Me No Wrong – Perkins Wiggle – Slippin’ Out And Sneakin’ In – Tennessee – If You Can’t Rock Me – Love Charms – Blue Days-Black Nights – Freight Train

A must have. This cd album contains the band’s debut album (Snatch It and Grab It), songs from various singles, eps, compilations and a selection of songs from their 1991 album « Baby I’m Ready« . And if it wasn’t enough it also features five brand new recording that announce the new direction – more western swing – taken by the band in the following years.

Fred « Virgil » Turgis

Hank Ewards - In the silence of the Night — Hank Ewards – In the silence of the Night

Hank Edwards With Hal Peters And His Trio – In the Silence of the Night

Goofin Records GOOFY 533 {1992}
In the Silence of the Night – I Wish I Has a Nickel
Another case of « wrong time, wrong place ». Had Hank Edward come from the USA and been active in the late 40’s/early 50’s, he would have shared the stage of the Opry or the Hayride with Hank Williams or some other great names of the time. Instead he comes from Sweden and began releasing records in the 80’s for an audience of fine connoisseurs.
This honky tonk single released for Goofin seems to come straight from the 50’s. Everything here is close to perfection the songs (one original on side A and a cover of Hank Williams that certain discovered under the name of Tell Me Little Darlin on the Riverside Trio debut album – on the side B), the voice and the backing provided by the always excellent Hal Peters and his trio.

Fred “Virgil” Turgis

Hal Peters and his Trio - You Don't Have to Worry ep — Hal Peters and his Trio – You Don’t Have to Worry ep

Hal Peters and his Trio – EP

Goofin’ Goofy 511 {1988}
You Don’t Have To Worry – If You Don’t, Somebody Else Will – Doggone It – When I Saw Your Face In The Moon

The name has changed to Hal Peters and his Trio with the addition of Jussi Huhtakangas on drums and steel guitar but the quality remains. A guest fiddle can also be heard on Jimmy and Johnny’s If You Don’t, Somedy Else Will. The result is one great rockabilly number (Joe Clay’s Doggone It) and three mellower hillbilly bop straight from Texas circa 1955.

Fred « Virgil » Turgis

Hal Peters Trio – Snatch It and Grab It!

Moondogs SRLP 8525 {1986}
Rock, Roll, Jump and Jive – Snatch It And Grab It – Big Fool – Have I Told You Lately That I Love You – You Can’t Do Me No Wrong – Perkins Wiggle – Slippin’Out And Sneakin’ In – Tennessee – If You Can’t Rock Me – Love Charms – Blue Days-Black Nights – Freight Train

Released in 1986 Snatch It and Grab It is the debut album of this Finish trio. They formed in 1984 with Heikki Laakkonen on vocals and acoustic rhythm guitar, Eino Rastas a mighty guitar player in the style of Hal Harris formerly of the Rhythm Wheel Combo and Timo Uimonen on double bass. They are probably one the best rockabilly band of the eighties and one the very few to capture the feeling of the 50’s recordings.
Despite a majority of covers (Carls Perkins, Freddie Hart, Curtis Gordon, Buddy Holly, Joe Clay…) and only one self penned tune (You Cant Do Me No Wrong) they manage to have a highly personnal sound. Most of the songs are in the drummerless trio format though one can here a light drums on some tracks and occasional piano. Excellent from start to finish
Later reissued with various other tracks on the cd album « Fireball Mail » (Goofin records GRCD 6038).
Fred « Virgil » Turgis

Darrel Higham

Published on 4 November 20205 November 2020

Reviews

Darrel Higham – Mobile Corrosion

Nervous Records NERCD082 [1995]
Like A Brand New Man – If You Can Live With It – Long Lonely Road – Deep In The Heart Of Texas – I Like Me Just Fine – Second Hand Information – In My Heart – No One Will Grieve – Revenue Man – Country Lila Rhue – You Were Right, I Was Rong – I’ve Been Gone A Long Time – Don’t Bug Me Baby – Amanda’s Song – Travis Pickin’ – Life Goes On – Rockin’ Band Blues

Recorded in 1995 for Nervous Records with Rusti Steel (lap steel), Les Curtis (drums), Mick Wigfall (bass), and Dave Brown (piano), Mobile Corrosion is one of Higham’s most country-tinged albums.
Like A Brand New Man is a perfect opener, sounding like a cross between Johnny Horton’s Honky Tonk Hardwood Floor and Berry’s Promised Land. If You Can Live Without It is a country ballad yet muscled up by the slap bass and features nice guitar picking.
Long Lonely Road is a Rock’n’roll tune on which Darrel’s Cochran inspired vocal makes wonder. Geraint Watkins’ Deep In the Heart Of Texas is an excellent country drive with a powerful drive. The following track, I Like Me Just Fine, is way heavier, with mean guitar and powerful vocal. Back to traditional Rockabilly, with a hillbilly touch, with Gentleman Jim’s Second Hand Information. Every good Rock’n’Roll album should feature a slow number. Good news, you have two on this album, In My Heart and Amanda’s Song, and one more time, Higham’s voice, not far from Cochran on Lonely Street here, is perfect.
No One Will Grieve is a modern Rocker with a solid bass part. Revenue Man is a cover of George Jones tune, Country Lila Rhue is more on the hillbilly bop vein, while You Were Right, I Was Wrong is a Rockabilly ballad.
I’ve Been Gone Too Long is a mean Country-rock, and you could easily imagine Sonny George singing it. Though Milton Allen did the original of Don’t Bug Me Baby in 1957, Higham’s version comes from the cover made by Shakin Stevens in 1981. It’s instrumental time with Travis Pickin’. No surprise, all is in the title. Life Goes On shows the influence of Gene Vincent, which means brushed snare drums and plenty of jazz influences in the guitar. Rockin’ Band Blues is a Cochran pastiche. Nothing really original but a good song nonetheless.

Darrel Higham & the Barnshakers – Pretty Little Devil

Goofin Records GOOFY 570 [1997]
Sweethearts Or Strangers – Don’t Be Gone Long – Pretty Little Devil – Flattin’ & Thumbin’

Darrel Higham recorded this ep in 1997 with the ever-excellent Barnshakers from Finland. That was not the first collabration between the British guitar picker and the Finnish Rockabilly band. Both recorded a full album together in 1993. Sometimes when two talented artists or bands join forces, the result doesn’t keep up with the expectations (I have a few example that I’ll keep for myself.) That was not the case here, this four-track ep is excellent.
Side one kicks off with a cover of the old classic “Sweethearts or Strangers”. Higham’s vocals and guitar give it a strong Eddie Cochran feel, and Lester Peabody’s steel guitar nicely enhances it. Next is a cover of Bod Doss’ “Don’t Be Long Gone.” Like the original, it’s jet-propelled by a solid slap bass intro.
Vesa Haaja, the singer of the Barnshakers, joins forces to sing harmonies for the Everly sounding Pretty Little Devil, recorded initially by Bob Denton and Eddie Cochran.
The last track is a guitar duet between Higham and Peabody/Jussi Huhtakangas. Well, the title says it all. It’s a gentle battle between these two great pickers. One can only regret that Deke Dickerson wasn’t there at the time of the recording.
There are still a few copies left on Goofin Records.
Fred “Virgil” Turgis