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High Noon the Rockabilly trio

in Reviews

High Noon – Change

high noonSwelltune Records – SR45-007 [2020]
Change – You Done Did It

In early 2020, Shaun Young, Sean Mencher, and Kevin Smith, internationally known as High Noon, the finest purveyor of today’s Rockabilly, got back together to make their first new recordings since 2002.
You wouldn’t believe that 18 years have passed since What Are You Waiting For. The trio sounds as fresh as the first time as I heard them when they released Glory Bound on Willie Lewis‘ Rock-A-Billy Records.
When these three guys are in the same room, you can expect the best in rural bop and drummerless Rockabilly.
Each is in fine form. Mencher is particularly inspired on You Done Did It. One could complain that on Change, Youngs tends to quaver more than usual (and necessary), but that’s a minor flaw.
Both songs are originals, Young penned the side one, and the whole trio is credited for the flip.


High Noon - Flatland Saturday Night
High Noon – Flatland Saturday Night

High Noon – Flatland Saturday Night

Bear Family
Glorybound – Stranger Things – She Forgot Her Memory – When She’s Good – Let’s Go Daddy-O – Long Empty Stretch Of Highway – My Ex Is Why – Beautiful – Rock Too Slow – Rockin’ Wildcat – Rockin’ Beauty – Old Habits – Flatland Saturday Night – Bluebonnet Boogie – Not For Nothin’ – Rattlesnake Man – Mixed Signal Mama – Fishing Hole Boogie – I’m Not Blue – Gotta Lotta That – Doggone That Cat – Now You’re Gonna Be Loved – Comanche Moon – Kiss And Tell Baby – Slow Down Baby – It’s The Beat – High On A Hill – Hanging From The Old Oak Tree – My Little Thrill – Call Of The Honky-Tonk – Quick Hand (demo) – My Heart Cries Yes (demo)

If you’re familiar with the Rockabilly genre, High Noon needs no introduction. But just in case… They were with Big Sandy and the Fly Rite Trio and the Dave and deke Combo, one of the bands that led the revival of American Rockabilly and among the first in the USA to play this music as if it came straigth from the fifties.

For any true Rockabilly lovers, High Noon almost sounded too good to be true: Shaun Young’s voice conjured the memories of the great Texas Rockabilly singers (among them a certain guy from Lubbock). Sean Mencher’s bag of riffs seemed bottomless. Unlike too many Rockabilly guitar player who were happy to copy Hank Garland or Scotty Moore, Mencher developped his style by listening to the generation that came before like Merle Travis but also Oscar Moore or Charlie Christian. And there was Kevin Smith who showed everybody what “slapping a doghouse bass” really meant (and he was more than able to sing harmonies too.)

Like an aknowledgement to their contribution to this music, High Noon now receives the Bear Family treatment, a well deserved treatment to the legends they are.

Except for the two demos (Quick Hand and My Heart Cries Yes) all songs (32 !) here are lifted from their Goofin’ records. So don’t expect to find songs recorded for Willie Lewis’Rock-A-Billy records or songs from their mini-album Texas style that saw High Noon playing with steel, fiddle, banjo and accordion (maybe for volume 2, who knows?)

Anyway if you don’t own anything from this great band, this is the best introduction you’ll find with a thick 40-page booklet (though the interview with shaun Young looks exactly like the interview I did with him a couple of years ago).
Read more at: https://www.bear-family.com/high-noon-flatland-saturday-night.html


High Noon ‎– What Are You Waiting For?

high noonGoofin’ Records ‎– GRCD 6116 [2002]
Let’s Go Daddy-o – Hanging (From The Old Oak Tree) – Old Habits – Prelude To The Blues – Bayou Beauty – Not For Nothin’ – Railroad Crossing – Beautiful – Yard Dog – I’ve Never Felt As Lucky – Kiss And Tell Baby – Comanche Moon – Gotta Love That – Misunderstood – It’s The Beat

Between Stranger Things in 1995 and this album, the three members of High Noon kept themselves busy. Shaun Young recorded a solo album, formed the Jive Bombers, and played with the Horton Brothers. Sean Mencher toured with Wayne Hancock and also produced bands. In the meantime, Kevin Smith lent his talents to many artists, including the Brian Setzer Orchestra.
Set to appear at the Green Bay 50’s Festival in 2002, High Noon decided to record a new album to present new material on stage.
Recorded and produced by Billy Horton, “What Are You Waiting For?” contains 15 original songs. All their various experiences nurtured the sound of the trio and expanded what they started with Stranger Things.
From the boppin’ Let’s Go Daddy-O to the Cajun tinged Bayou Beauty, with the excellent Travis/Atkins instrumental Comanche Moon and the beautiful ballad Not For Nothing, the band goes from style to another with class and refinement.
But in case you’d forget that High Noon is “the Texas Rockabilly Trio”, listen to songs like Hanging (from the old oak tree) with its powerful slap bass, Misunderstood, It’s the Beat, the Holly-esque Beautiful and Railroad Crossin with its guitar solo evoking Grady Martin.
Young’s tremolo makes wonder on slow songs like I’ve Never Felt As Lucky. Kevin Smith proves one more time that he’s the undisputed master of the slap bass. He provides the backbone of the sound with, here and there, some short and brilliant solos. On guitar, Sean Mencher enlightens the whole album with his amazing licks, quoting Paul Burlison, Grady Martin, Chet Atkins, and Merle Travis.
What are you waiting for? Buy it!


High Noon - Texas Style
High Noon – Texas Style

High Noon – Texas Style

 Exile Records ‎– EX10EP09 [1994]
Crazy Mixed Up World – He Won I Lost,  She’s Found – Across the River – My Heart Cries Yes (but my mind whispers no) – Movie Magg – Red Barn Boogie

The Texas Rockabilly trio released this 10″ mini album in 1994. First, look at that cover! It’s perfect! Congratulations to Carlos Fernandez who captured the band in action. Then the music… For this one, High Noon took a slight departure from their usual brand of stripped down rockabilly and brought some guests to the party.
The opener is a cover of the Willie Dixon song made popular by Little Walter. The trio with the help of Alvin Crow on fiddle and John Ely on steel turns it into a superb hillbilly bop with Shaun Young yelling the name of the musicians in the great Bob Wills tradition. As usual Shaun’s vocals are superb, Sean Mencher’s guitar inventive and Kevin Smith provides the perfect backbone with his slap.
Next is He Won, I Lost, She’s Found, penned by Mencher. This Honky Tonk with steel, fiddle and harmony vocals (provided by Brent wilson of the Wagoneers) is sure to make you cry in you beer. The side A closes with Across the River, another Mencher original. It’s another fine ballad enlightened by Mike Maddux on accordion.
Side B opens with My Heart Cries Yes. Can these boys play bluegrass. You bet they can! With the help of Danny Barnes (Bad Livers) on banjo. Perkins’ Movie Magg is here to remind you that High Noon is one of the very best (if not the best) Rockabilly band of the late 80’s/early 90’s. Finally the steel and the fiddle return for Hank Harral’s Red Barn Boogie to conclude this mini album in beauty.

Tammi Savoy

in Contemporary artists/Reviews

Tammi Savoy & the Chris Casello Combo – Big Baby

Tammi Savoy and the Chris Casello Combo

Swelltune 45-005 [2018]

Big Baby – Ain’t Givin’ Up Nothin’

If you dig Rythm’n’Blues with a rockin’ edge, if singers like Ruth Brown and Lavern Baker float your boat, no doubt that you’ll jump on this new Swelltune release.

Tammi Savoy has the ideal voice for that genre and with the Chris Casello combo (Chris Casello on guitars, Jesse Woelfel on bass fiddle and Russ DeLuca on drums, maracas & piano) she found the perfect band to back her.

A side is a self penned number. If the song is not that original in its structure, the quality of the singing (did I already tell you that Tammi Savoy had a pretty good voice?), the rhythm section and Casello’s scorching guitar solo are more than enough to make it highly enjoyable.

The flip is a cover of Priscilla Bowman’s Ain’t Givin’ Up Nothin’. It’s a very good one too with some kind of a Rumba beat and once again great performance by the band.

It’s a Swelltune record so you can buy it with confidence.

Fred “Virgil” Turgis

Tammi Savoy on the web and on facebook.

Tammi Savoy & Chris Casello Combo on facebook.

Chris Casello’s website can be found here.

Swelltune records’ website.

Three Blue Teardrops

in Contemporary artists/Reviews

Three Blue Teardrops – Ballin’ Jack/Morbid Teenage Love Song

Three Blue Teardrops

Swelltune Records SR45-004 [2018]

At last some new music by Three Blue Teardrops!

Dave Sisson, Randy Sabo and Rick Uppling are back with a brand new single recorded at Hi-Style studios.

Side A is a hot jiver that benefits of the addition of a saxophone and features a mean and superb solo.

B-side is even better. Imagine a sad rockabilly ballad with female backing vocals produced by Shadow Morton. I was almost expecting to hear car crash sound effects in the middle of the song.

Buy it at Swelltune records.

Fred “Virgil” Turgis

Three Blue Teardrops - Rustbelt Trio
Three Blue Teardrops – Rustbelt Trio

Three Blue Teardrops – Rustbelt Trio


A-OK – Shocked – Lincoln ’59 – Alone At Last – Headin’ For Disaster – American Way – Hard-Boiled – Little Lovely – Lord Send Me An Angel – Damage Control – The Dead Know Nothing – I still Dream Of You – I’m Still Standin’ Here
The fourth album relased by Three Blue Teardrops, more than 10 years after their debut release ‘One Part Fist” on the legendary British label Nervous Records. I’m a huge fan of Alan Wilson’s work as a musician (The Sharks) or as a producer (Frantic Flintstones, Gazmen, Colbert Hamilton…) but I was a little disappointed by his production on “One Part Fist”. I think he tried to give some kind of English psychobilly sound to a 100% American band which didn’t really fit them. The two following albums are now very hard to find but are more reflective of what their true sound is. So is “Rustbelt Trio” produced and released by the band. Here you have a real wild rocking and stomping modern rockabilly album made of 13 songs (all band’s originals, half written by guitarist Dave Sisson and the other half by upright bassist Rick Uppling). One of their best quality is to be able to mix genres, adding traditional vocals harmonies on heavy rockers, or enhance what could be a classic hot rod song (Lincoln 49) with a fine and swing drumbeat. Harmonies and superb brushed snare can also be found on “Alone At Last”, a teenagers’ song with a modern edge. The sound hardens a bit on “Headin’ For Disaster”, which talks about alcoholism and self destruct (Stayin’ out late at the beer joints, poppin’ pills and livin’ hard / Drivin’ too fast on the highway, slow at work and feelin’ tired / You’re lookin’ older everyday you spend gettin’ bent / But pretty soon this gift you got is going to be spent). “American Way” is a true heavy rockabilly or psychobilly (call it whatever you want) song which shouldn’t be out of place in The Quakes repertory. Nice! Changing the mood a bit, “Lord Send Me An Angel” is what you can expect with a title like that, a fine ballad with just the guitar and a very light snare, and once again traditional harmonies on the chorus. And right after this calm and peaceful moment they rush into the wild “Damage Control”. Another change of tempo comes with “The Dead Know Nothing” a western ballad with Mexican trumpets, gunshots and percussions ala Ennio Morricone. An Everly Brothers influence can be heard on “I Still Dream Of You”, and the album ends with “I’m Standin’ Here”, dedicated to Stiff Little Fingers’ Jake Burns, but the message is clear and can apply to Dave, Rick and Randy. It’s very good to see the band back in action, with a all-killer/no-filler album. With the new interest toward psychobilly in the USA, it would be more than justice to find them, who were among the first with The Quakes to play that music in America, achieving the same level of success The Reverend Horton Heat did.
Fred “Virgil” Turgis

Sean Mencher

in Albums/Contemporary artists/MN/Reviews
Sean Mencher

Sean Mencher – Sean mencher Plays Guitar

Swelltune Records – SRCD-002
Mystery Train – Saturday Night Shuffle – Sing Me Back Home – Someone To Watch Over Me – The Mensch – Mister Sandman – Comanche Moon – Your New Flame (Is Burning Me) – Stagecoach Comin’ – How High the Moon – Betina – Buckaroo – Hey Good Lookin’ – Sir Swish – Walkin’ the Strings – America the Beautiful

Sean Mencher is well known for being the lead guitarist of High Noon, the Rockabilly trio. With his style, a mix of Merle Travis and Scotty Moore with some jazz thrown in for good measure, and with his sure taste he gained a well deserved reputation on the scene. He also played with Wayne Hancock and Dig Wayne (Buzz and the Flyers) and with his deep knowledge of Rockabilly and other related genres, he also produced bands like Croonin’ Kurt, the Gin Palace Jesters, the Starline Rhythm Boys and the Twilite Ranchers. And of course he recorded a couple of records under his own name (see below).
His new album, recorded for Swelltune records, is an instrumental one, featuring just Sean and his guitar. No effects, no tricks, no heavy production… just one man, his guitar, a microphone, his fingers and most of all, his soul.
I don’t play guitar so don’t expect me to tell you things like “Oh that E9b5 chord is amazing”. I can’t and if I could I wouldn’t. It would miss the point. Of course I bet that guitar players will freak out when they hear Sean’s skills, but the beauty of the thing is that regular guys like me will also enjoy it because this music speaks directly to your heart.
The songs come from guitar greats like Merle Travis (of course), Chet Atkins, Les Paul as well as Junior Parker, Hank Williams, Buck Owens and some jazz standard like Someone to Watch Over Me. I particularly enjoyed this one on which his guitar softly sings, almost like a lullaby.
Also included are four Mencher’s original like Comanche Moon (previously released on a solo single and also with High Noon), Your new Flame, Betina and Sir Wish.
A truly great and sensitive album.


Sean Mencher
Sean Mencher

Sean Mencher – self titled

Goofin Records GRCD6136
Rock Rock Jump And Jive – Settin’ The Woods On Fire – Right Or Wrong – Crying The Blues Over You – Bayou Beauty – All The Time – Tummat Silmät (Dark Eyes) – Don’t Big Shot Me – Hot Rod Man – Vamos A La Playa – Down The Line – Little Baby Doll – Honky Tonk Gal – Hit Git And Split
After two singles – one on Deke Dickerson’s Eccofonic and one on Goofin, it’s good to finally see a long player from High Noon’s ace guitar player : Sean Mencher. It’s a solid rockin’ album mainly made of classic covers which is a bit odd when you know Sean’s ability to write songs. This album sounds like Mencher wanted to play every genre he likes and sometimes mixing them together. You’ve got plenty of rockabilly of course (Rock’n’Roll Jump And Jive, Hot Rod Man, Go Cat Go’s Little Baby Doll) with Zach Ovingtons’ fiddle giving an original and nice country flavour. Some other songs are plain country like Hank Williams’ Settin The Wood On Fire or jazz / western swing Right Or Wrong, one of the highlight of this album, with a great swingin’ fiddle and as usual Sean guitar play is superb. You’ll also find a beautiful blues, Bill Neely’s “Crying The Blues Over You”, with just Sean’s fingerpicking and a harmonica. Mencher’s self penned “Bayou Beauty”, previously played by Ronnie Dawson and High Noon, is done this time with a full Cajun instrumentation with accordion, triangle and Matthew Doucet a native of South Louisiana on fiddle. A trumpet player is present on Link Davis’ Dong Big Shot Me, a not so different from the original version that suits Mencher’s vocal very well and also on the Mexican flavoured “Vamos A La Playa” provided by ex-Asylum Street Spankers Josh Arnson. The musicians show their skills on their interpretation of the classic instrumental Dark Eyes which sounds like a mix between jazz and rockabilly. This very good and versatile album shows all of Sean Mencher’s influences and is a pleasure from start to finish.
Fred “Virgil” Turgis


Sean MencherSean Mencher

Ecco-Fonic EF1007 [1996]
Jumpin’ Track – Your New Flame (Is Burnin’ Me)

Once again Mencher nails it with two brilliant instrumentals recorded in Maine.
Side one features a band (Cartwright Thompson on rhythm guitar, Lesie Freda on string bass and Mark Cousins on drums) and is a rocka-boogie that comes complete with train sounds while the flip side sees Sean going solo for a Travis thumb-picking rendition of High Noon’s Your New Flame.

Fred “Virgil” Turgis


sean mencherSean Mencher and his Rockin’ Guitar

Goofin Records GOOFY554 [1995]
When You Smile/Comanche Moon

Side one is a superb rock’n’roll song, highly melodic. Side Two allows Mencher to show all his skills on guitar with a amazing instrumental with Travis and Atkins influences.
Must have single.

Fred “Virgil” Turgis

Read our interview with Sean Mencher here.
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